Based on the experimentation carried out with the cinematographic precursors, they take the initiative in defining the basic precepts that form the ten principles of the “essay documentary” genre.[\/vc_column_text]
\n 1.\u00a0The resistance economy for working in \u201ckm 0\u201d.<\/a>\n <\/h4>\n <\/div>\n \n \n There is a relevant principle which guides the start of production and which previous projects have articulated: \u201cMake sure you have exhausted the possibilities of what can be discovered locally.\u201d In other words, the cinematographic project must be linked to the local area, km 0. We can say that there are many worlds close to our own. <\/div>\n <\/div>\n <\/div>\n \n \n \n 2. Intuition as a starting point and being able to define the initial premise.\u00a0<\/a>\n <\/h4>\n <\/div>\n \n \n The initial creative process is more intuitive than rational. We start with a brief written outline and a general guiding premise. The idea is to search for ideas which end up articulating an interweaving of conceptual connections. We start with the functional sense of applying ideas to life. The concept contrasts with the rational logic of the extensive premeditated calculated writing process of the narrative and technical literary screenplays of orthodox productions. <\/div>\n <\/div>\n <\/div>\n \n \n \n 3. Randomness as a trigger for neutralising reason and its premeditations.<\/a>\n <\/h4>\n <\/div>\n \n \n We aim to discover what is genuinely manifested, not just locate the manifestation of what reason has premeditated. What we intend is to minimise the risks of conditioning the performative existence to a single descriptive pattern of reality. That is, we position ourselves to facilitate divergent readings of the same phenomenon. <\/div>\n <\/div>\n <\/div>\n \n \n \n 4. The initial exploration of the space and the observation of the protagonists' point of view.<\/a>\n <\/h4>\n <\/div>\n \n \n The principal activity is constituted by the author and characters\u2019 vision on the subtle relationships, more or less profound, which they establish with the world. \nIn fact, documentary essays are characterised by the creative impulse as a form of vital witnessing, the reflective pursuit and the intention of delving into what is human. To find something that verifies itself as a carrier of truth, it is necessary to turn to the patient observation of events in the sensitive life. <\/div>\n <\/div>\n <\/div>\n \n \n \n 5. Conceptualisation in order to avoid dispersion and define the field of action. <\/a>\n <\/h4>\n <\/div>\n \n \n While there is a great willingness to look closely at what is being produced, it is also important to define some concepts that act as anchors for the vast unknown field of exploration that we will delve into.\nProduction also involves reflecting on the creative process itself by alternating short texts, reflections and activities of documentary-making in parallel, for example, to the filming experiences and the possible alternatives for the musical construction. <\/div>\n <\/div>\n <\/div>\n \n \n \n 6.\u00a0The mobilisation of a skeleton crew for solo shooting.\u00a0\u00a0<\/a>\n <\/h4>\n <\/div>\n \n \n Due to the characteristics of the work, the activities must be developed with a small production team, and on many occasions, the author must perform the recording activity alone. Consequently, what may also condition the creation of a documentary essay is the fact of making do without the resources of conventional productions, so closely tied to limited calendars and concentrated work in specialised groups. <\/div>\n <\/div>\n <\/div>\n \n \n \n 7. The assiduity of the activities to discover the future plot.\u00a0<\/a>\n <\/h4>\n <\/div>\n \n \n The regularity and frequency of recording activities practically turn them into a daily event. The fluxes of life are intimately related to the artistic activity itself, because the expressive necessity is honest, and commitment is paramount. \n\nThe methodology of work requires filmings diversified in time which tend to go on for up to a couple of years. In order to begin the field work with the participation of the future collaborators and protagonists, a weekly filming schedule will be set. Thus, the exploration of reality can be embarked upon together. On another note, any commercial link with the protagonists is ruled out right from the start. <\/div>\n <\/div>\n <\/div>\n \n \n \n 8.\u00a0Activation of interplay with the protagonists when the action slows down.<\/a>\n <\/h4>\n <\/div>\n \n \n The only intentional thing we do is to use playfulness as a resource for activating interaction with a reality that tends to freeze itself parsimoniously. \nIn other words, the projection of fantasy appears as a suggestion through playing. The staging is enriched with action to complement the apparent reality of a certain poetics. <\/div>\n <\/div>\n <\/div>\n \n \n \n 9. The construction of meanings with the essence of the filmed event.\u00a0<\/a>\n <\/h4>\n <\/div>\n \n \n This work formula also makes it possible to access the editing material intermittently, which facilitates the detailed observation of other recorded elements and generates new conceptual challenges in the search for plot structures or expressive tools. <\/div>\n <\/div>\n <\/div>\n \n \n \n 10.\u00a0The interweaving of events and the emergence of allegories to reveal the world.<\/a>\n <\/h4>\n <\/div>\n \n \n Life occurs in multiple events which permanently alter the appearances of spatial and temporal reality. A discovery or stroke of luck stems from the interweaving of certain events into an emotional whole which may end up revealing its intimate meaning. \n\nTransformation and lived experience engender the shape of the final work. The completed creation shows a certain identifiable stamp, as can be reflected in the use of cohesive allegories in the representation of symbolic meanings. \n\nAll in all, we could assert that the definition of the documentary film genre is particularly characterised by the unique way in which the creative process is applied. <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n<\/div> <\/div>\n [\/vc_column_inner][vc_column_inner width=”1\/6″][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner width=”1\/6″][\/vc_column_inner][vc_column_inner width=”2\/3″][vc_custom_heading heading_style=”heading_style_11″ text=”PREMISE” font_container=”tag:h2|text_align:center|color:%23ffffff” use_theme_fonts=”yes” css=”.vc_custom_1631270004115{padding-top: 3% !important;padding-bottom: 3% !important;}”][vc_column_text]<\/p>\nWe aim to pursue the transformation of matter mainly by working with wood to build instruments in the luthier\u2019s workshop.<\/span> We want to emphasise the harmonic values of humans with nature. Human activity processing matter to transform it into vibration, vibrations inherent to the universe…\u00a0<\/span><\/p>\nThe word <\/span>matter<\/span><\/i> has, in its Greek and Latin origin, the meaning of wood, construction material, forest, jungle. The uniqueness of the word <\/span>luthier<\/span><\/i> is interesting; derived from <\/span>luth<\/span><\/i> (<\/span>lute<\/span><\/a>), the term really comes from the Arabic <\/span>al-`\u016bd<\/span><\/i> (lute), which means \u201cthe wood\u201d.<\/span><\/p>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/6″][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row full_width=”stretch_row_content” css=”.vc_custom_1614853107397{padding-bottom: 5% !important;background-color: #003153 !important;}” el_class=”go-ahead-7″][vc_column width=”5\/12″ css=”.vc_custom_1614852486021{background-image: url(https:\/\/www.movie-ments.cat\/coneixenca\/wp-content\/uploads\/2021\/03\/IMG_25212-1-scaled.jpg?id=3388) !important;background-position: center !important;background-repeat: no-repeat !important;background-size: cover !important;}”][vc_row_inner][vc_column_inner]
\n \n\t\n SYNOPSIS<\/div>\n A disciple learns, from the master luthier, the remarkable construction of some string instruments through observation and praxis. A journey in search of those chords capable of taking the human being out of itself.<\/div>\n <\/div>\n<\/div> <\/div>\n [\/vc_column_inner][\/vc_row_inner][\/vc_column][vc_column width=”7\/12″][vc_row_inner][vc_column_inner][vc_single_image image=”3654″ img_size=”large” alignment=”center”][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row full_width=”stretch_row” css=”.vc_custom_1614857307554{padding-bottom: 5% !important;background-color: #003153 !important;}” el_class=”go-ahead-7″ el_id=”trailer”][vc_column][vc_row_inner][vc_column_inner] \n \n \n \n \n \n ![\"\"](\"https:\/\/www.movie-ments.cat\/coneixenca\/wp-content\/uploads\/2018\/08\/Alternativa-copy-scaled.jpg\")
\n <\/a>\n <\/div>\n \n TRAILER<\/a><\/h5>\n \n <\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n \n [\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row full_width=”stretch_row_content” css=”.vc_custom_1631529182716{padding-top: 3% !important;padding-bottom: 6% !important;background-color: #003153 !important;}” el_id=”quadern”][vc_column][vc_row_inner][vc_column_inner][vc_custom_heading heading_style=”heading_style_11″ text=”The Autotelic Notebook” font_container=”tag:h2|text_align:center|color:%23ffffff” use_theme_fonts=”yes” css=”.vc_custom_1631529237479{padding-top: 3% !important;padding-bottom: 3% !important;}”][vc_custom_heading heading_style=”sub_heading_style_2″ text=”Work in progress” font_container=”tag:h4|text_align:center|color:%23ffffff” use_theme_fonts=”yes” css=”.vc_custom_1631529307682{padding-bottom: 3% !important;}”][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner width=”1\/2″][vc_single_image image=”3656″ img_size=”large” alignment=”center”][\/vc_column_inner][vc_column_inner width=”1\/2″ css=”.vc_custom_1631265687700{padding-right: 30% !important;}”][vc_column_text]<\/p>\n
Premise<\/strong>\u00a0<\/span><\/p>\nThe most valuable certainty of our condition originates in contemplation.<\/span><\/p>\nThe film <\/span>Coneixen\u00e7a<\/span><\/i> (\u201cknowledge\u201d in Catalan) is contemplated with the creation of an online game, based on an interactive notebook called <\/span>El Quadern Autot\u00e8lic<\/span><\/i> (\u201cthe autotelic notebook\u201d). The notebook offers content through drawings, illustrations, texts, photographs, music and small video capsules. The user can participate by creating new pages with the incorporation of drawings, texts and photographs.<\/span>
\n<\/span>
\n<\/span>The plot reflects the construction of the creative process itself in formal terms, offering ideas and concepts mainly linked to nature, music and painting. The content is related to the five acts of the film <\/span>Coneixen\u00e7a:<\/span><\/i> search, discover, practice, relate and comprehend.\u00a0<\/span><\/p>\n[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row full_width=”stretch_row” css=”.vc_custom_1631024810767{padding-top: 8% !important;padding-bottom: 10% !important;background: #121212 url(https:\/\/www.movie-ments.cat\/coneixenca\/wp-content\/uploads\/2021\/09\/Faig2.jpg?id=3461) !important;background-position: center !important;background-repeat: no-repeat !important;background-size: cover !important;}” el_id=”credits”][vc_column][vc_row_inner][vc_column_inner][vc_custom_heading heading_style=”heading_style_11″ text=”Credits” font_container=”tag:h2|text_align:center” use_theme_fonts=”yes” css=”.vc_custom_1631270080581{padding-top: 3% !important;padding-bottom: 3% !important;}”][\/vc_column_inner][\/vc_row_inner][vc_row_inner css=”.vc_custom_1530603953052{padding-top: 8% !important;padding-bottom: 8% !important;}”][vc_column_inner]
\n \n\t\n\t\t\t \t interpreters<\/span>\n\t \t\t \t \n\t \t\t \t\tMARCO SALERNO, ANIOL PETIT, LAIA BOSCH\t \t\t\t \t<\/span>\n\t \t\t \t \t With the participation of<\/span>\n\t \t\t \t \n\t \t\t \t\tIRIS PETIT, GEN\u00cdS PETIT, GL\u00d2RIA CANTERO, JOSEP MARIA PETIT\t \t\t\t \t<\/span>\n\t \t\t \t \t Direction and writing<\/span>\n\t \t\t \t \n\t \t\t \t\tFRANCESC FONT\t \t\t\t \t<\/span>\n\t \t\t \t \t Production<\/span>\n\t \t\t \t \n\t \t\t \t\tMovie-ments\t \t\t\t \t<\/span>\n\t \t\t \t \t Original Music<\/span>\n\t \t\t \t \n\t \t\t \t\tMAGAM (Marta Vila i Vega Montero)\t \t\t\t \t<\/span>\n\t \t\t \t \t Musician performer<\/span>\n\t \t\t \t \n\t \t\t \t\tPACO VICIANA (Benedictus. Karl Jenkins)\t \t\t\t \t<\/span>\n\t \t\t \t \t Photography and camera<\/span>\n\t \t\t \t \n\t \t\t \t\tFRANCESC FONT\t\t \t\t\t \t<\/span>\n\t \t\t \t \t Postproduction<\/span>\n\t \t\t \t \n\t \t\t \t\tXAVIER P\u00c9REZ\t \t\t\t \t<\/span>\n\t \t\t \t \t Assembly and calibration<\/span>\n\t \t\t \t \n\t \t\t \t\tFRANCESC FONT\t \t\t\t \t<\/span>\n\t \t\t \t \t Voiceover off<\/span>\n\t \t\t \t \n\t \t\t \t\tANIOL PETIT\t \t\t\t \t<\/span>\n\t \t\t \t \t M\u00e0ster DCP<\/span>\n\t \t\t \t \n\t \t\t \t\tFROMZERO\t \t\t\t \t<\/span>\n\t \t\t \t \t Sound postproduction and mixes<\/span>\n\t \t\t \t \n\t \t\t \t\tLLU\u00cdS COSTA\t \t\t\t \t<\/span>\n\t \t\t \t \t Recording studio<\/span>\n\t \t\t \t \n\t \t\t \t\tSOUNDCLUB\t \t\t\t \t<\/span>\n\t \t\t \t \t graphic design poster<\/span>\n\t \t\t \t \n\t \t\t \t\tCAROLINA TR\u00c8BOL\t \t\t\t \t<\/span>\n\t \t\t \t \t TECHNICAL ADVICE<\/span>\n\t \t\t \t \n\t \t\t \t\tXAVIER P\u00c9REZ\t \t\t\t \t<\/span>\n\t \t\t \t \t Equipment coordination<\/span>\n\t \t\t \t \n\t \t\t \t\tERNEST FORTS \t \t\t\t \t<\/span>\n\t \t\t \t \t Slate sequence and Caravaggio Concept art:<\/span>\n\t \t\t \t \n\t \t\t \t\tJOSEP PLAJA, ADRIANA PUIGVERT - DRIN -\t \t\t\t \t<\/span>\n\t \t\t \t \t Assistant director<\/span>\n\t \t\t \t \n\t \t\t \t\tPAU RODR\u00cdGUEZ\t \t\t\t \t<\/span>\n\t \t\t \t \t Photography<\/span>\n\t \t\t \t \n\t \t\t \t\tDANIEL DE JOSE -DEJU-, MART\u00cd PLUMA \t \t\t\t \t<\/span>\n\t \t\t \t \t In collaboration with<\/span>\n\t \t\t \t \n\t \t\t \t\tEU ERAM - GRAU EN COMUNICACI\u00d3 AUDIOVISUAL I MULTIM\u00c8DIA\t \t\t\t \t<\/span>\n\t \t\t \t \t In collaboration with<\/span>\n\t \t\t \t \n\t \t\t \t\tRaffaele Pagani Fotografies\t \t\t\t \t<\/span>\n\t \t\t <\/div>\n<\/div> <\/div>\n [\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row full_width=”stretch_row” css=”.vc_custom_1614857321718{padding-top: 3% !important;padding-bottom: 3% !important;background-color: #003153 !important;}” el_id=”localitzacions”][vc_column][vc_row_inner][vc_column_inner][vc_custom_heading heading_style=”heading_style_11″ text=”Locations” font_container=”tag:h2|text_align:center” use_theme_fonts=”yes” css=”.vc_custom_1631270272348{padding-top: 3% !important;padding-bottom: 3% !important;}”][vc_column_text]<\/p>\nOne of this project\u2019s determining factors is the treatment of space. Certain workshop interiors are shown to emphasise space, regardless of the characters. To give space an independent role in the action, because a particular intimate time flows through space.<\/span><\/p>\nLocated in the northeast corner of Catalonia, we are home to one of the most important identifying elements of the territory, Alt Empord\u00e0, an area which stretches from the coastal landscape to the mountain, not to mention the urban landscape. This important identify-defining value of the county\u2019s landscape will frame the film\u2019s exterior scenes in a striking way.\u00a0<\/span><\/p>\nThe town of Ordis, home to the luthier’s workshop, lies nestled in a landscape which delves in through narrow paths until reaching the church, flanked by a luxurious cypress. A few barley sprigs are depicted on its shield, allusions to the town’s name and the centuries-old farming of its land.<\/span><\/p>\nThe learning sequence associated with the board unfolds inside the Chapel of Saint Lucy in Girona.\u00a0<\/span><\/p>\nThe different trees referenced are principally located in the landscape of the county of Pla de l\u2019Estany.\u00a0 The maple and willow in Banyoles, the boxwood in <\/span>Porqueres<\/span>, the cypress in Rav\u00f3s de Terri, the walnut tree in Vilamar\u00ed and the spruce in <\/span>Sant Miquel de Campmajor and the spruces of the town of Susqueda in Sant Mart\u00ed Sacalm.<\/span><\/p>\nAniol Petit\u2019s workshop is in the municipality of Sant Cebri\u00e0 de Vallalta, near the town of Sant Pol de Mar in the county of Maresme. A space located on the threshold of <\/span>
\n<\/span>Montnegre Corredor Natural Park with extensive formations of holly and cork oak groves.<\/span><\/p>\n[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row full_width=”stretch_row_content_no_spaces” css=”.vc_custom_1614853137681{padding-top: 3% !important;padding-bottom: 3% !important;background-color: #003153 !important;}”][vc_column][vc_row_inner][vc_column_inner] \n \n
\n \n \n \n \n \n ![\"\"](\"https:\/\/www.movie-ments.cat\/coneixenca\/wp-content\/uploads\/2018\/08\/Banyoles_-copy-copy.jpg\")
\n - <\/i><\/a><\/li>\n <\/ul>\n <\/div>\n \n
\n Banyoles <\/h5>\n
\/ L\u2019aur\u00f3 i el salze<\/p>\n <\/div>\n <\/div>\n <\/div>\n
\n \n \n ![\"\"](\"https:\/\/www.movie-ments.cat\/coneixenca\/wp-content\/uploads\/2018\/07\/AltEmporda-e1721822304392.jpg\")
\n 2. Intuition as a starting point and being able to define the initial premise.\u00a0<\/a>\n <\/h4>\n <\/div>\n \n \n The initial creative process is more intuitive than rational. We start with a brief written outline and a general guiding premise. The idea is to search for ideas which end up articulating an interweaving of conceptual connections. We start with the functional sense of applying ideas to life. The concept contrasts with the rational logic of the extensive premeditated calculated writing process of the narrative and technical literary screenplays of orthodox productions. <\/div>\n <\/div>\n <\/div>\n \n \n \n 3. Randomness as a trigger for neutralising reason and its premeditations.<\/a>\n <\/h4>\n <\/div>\n \n \n We aim to discover what is genuinely manifested, not just locate the manifestation of what reason has premeditated. What we intend is to minimise the risks of conditioning the performative existence to a single descriptive pattern of reality. That is, we position ourselves to facilitate divergent readings of the same phenomenon. <\/div>\n <\/div>\n <\/div>\n \n \n \n 4. The initial exploration of the space and the observation of the protagonists' point of view.<\/a>\n <\/h4>\n <\/div>\n \n \n The principal activity is constituted by the author and characters\u2019 vision on the subtle relationships, more or less profound, which they establish with the world. \nIn fact, documentary essays are characterised by the creative impulse as a form of vital witnessing, the reflective pursuit and the intention of delving into what is human. To find something that verifies itself as a carrier of truth, it is necessary to turn to the patient observation of events in the sensitive life. <\/div>\n <\/div>\n <\/div>\n \n \n \n 5. Conceptualisation in order to avoid dispersion and define the field of action. <\/a>\n <\/h4>\n <\/div>\n \n \n While there is a great willingness to look closely at what is being produced, it is also important to define some concepts that act as anchors for the vast unknown field of exploration that we will delve into.\nProduction also involves reflecting on the creative process itself by alternating short texts, reflections and activities of documentary-making in parallel, for example, to the filming experiences and the possible alternatives for the musical construction. <\/div>\n <\/div>\n <\/div>\n \n \n \n 6.\u00a0The mobilisation of a skeleton crew for solo shooting.\u00a0\u00a0<\/a>\n <\/h4>\n <\/div>\n \n \n Due to the characteristics of the work, the activities must be developed with a small production team, and on many occasions, the author must perform the recording activity alone. Consequently, what may also condition the creation of a documentary essay is the fact of making do without the resources of conventional productions, so closely tied to limited calendars and concentrated work in specialised groups. <\/div>\n <\/div>\n <\/div>\n \n \n \n 7. The assiduity of the activities to discover the future plot.\u00a0<\/a>\n <\/h4>\n <\/div>\n \n \n The regularity and frequency of recording activities practically turn them into a daily event. The fluxes of life are intimately related to the artistic activity itself, because the expressive necessity is honest, and commitment is paramount. \n\nThe methodology of work requires filmings diversified in time which tend to go on for up to a couple of years. In order to begin the field work with the participation of the future collaborators and protagonists, a weekly filming schedule will be set. Thus, the exploration of reality can be embarked upon together. On another note, any commercial link with the protagonists is ruled out right from the start. <\/div>\n <\/div>\n <\/div>\n \n \n \n 8.\u00a0Activation of interplay with the protagonists when the action slows down.<\/a>\n <\/h4>\n <\/div>\n \n \n The only intentional thing we do is to use playfulness as a resource for activating interaction with a reality that tends to freeze itself parsimoniously. \nIn other words, the projection of fantasy appears as a suggestion through playing. The staging is enriched with action to complement the apparent reality of a certain poetics. <\/div>\n <\/div>\n <\/div>\n \n \n \n 9. The construction of meanings with the essence of the filmed event.\u00a0<\/a>\n <\/h4>\n <\/div>\n \n \n This work formula also makes it possible to access the editing material intermittently, which facilitates the detailed observation of other recorded elements and generates new conceptual challenges in the search for plot structures or expressive tools. <\/div>\n <\/div>\n <\/div>\n \n \n \n 10.\u00a0The interweaving of events and the emergence of allegories to reveal the world.<\/a>\n <\/h4>\n <\/div>\n \n \n Life occurs in multiple events which permanently alter the appearances of spatial and temporal reality. A discovery or stroke of luck stems from the interweaving of certain events into an emotional whole which may end up revealing its intimate meaning. \n\nTransformation and lived experience engender the shape of the final work. The completed creation shows a certain identifiable stamp, as can be reflected in the use of cohesive allegories in the representation of symbolic meanings. \n\nAll in all, we could assert that the definition of the documentary film genre is particularly characterised by the unique way in which the creative process is applied. <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n<\/div> <\/div>\n [\/vc_column_inner][vc_column_inner width=”1\/6″][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner width=”1\/6″][\/vc_column_inner][vc_column_inner width=”2\/3″][vc_custom_heading heading_style=”heading_style_11″ text=”PREMISE” font_container=”tag:h2|text_align:center|color:%23ffffff” use_theme_fonts=”yes” css=”.vc_custom_1631270004115{padding-top: 3% !important;padding-bottom: 3% !important;}”][vc_column_text]<\/p>\nWe aim to pursue the transformation of matter mainly by working with wood to build instruments in the luthier\u2019s workshop.<\/span> We want to emphasise the harmonic values of humans with nature. Human activity processing matter to transform it into vibration, vibrations inherent to the universe…\u00a0<\/span><\/p>\nThe word <\/span>matter<\/span><\/i> has, in its Greek and Latin origin, the meaning of wood, construction material, forest, jungle. The uniqueness of the word <\/span>luthier<\/span><\/i> is interesting; derived from <\/span>luth<\/span><\/i> (<\/span>lute<\/span><\/a>), the term really comes from the Arabic <\/span>al-`\u016bd<\/span><\/i> (lute), which means \u201cthe wood\u201d.<\/span><\/p>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/6″][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row full_width=”stretch_row_content” css=”.vc_custom_1614853107397{padding-bottom: 5% !important;background-color: #003153 !important;}” el_class=”go-ahead-7″][vc_column width=”5\/12″ css=”.vc_custom_1614852486021{background-image: url(https:\/\/www.movie-ments.cat\/coneixenca\/wp-content\/uploads\/2021\/03\/IMG_25212-1-scaled.jpg?id=3388) !important;background-position: center !important;background-repeat: no-repeat !important;background-size: cover !important;}”][vc_row_inner][vc_column_inner]
\n \n\t\n SYNOPSIS<\/div>\n A disciple learns, from the master luthier, the remarkable construction of some string instruments through observation and praxis. A journey in search of those chords capable of taking the human being out of itself.<\/div>\n <\/div>\n<\/div> <\/div>\n [\/vc_column_inner][\/vc_row_inner][\/vc_column][vc_column width=”7\/12″][vc_row_inner][vc_column_inner][vc_single_image image=”3654″ img_size=”large” alignment=”center”][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row full_width=”stretch_row” css=”.vc_custom_1614857307554{padding-bottom: 5% !important;background-color: #003153 !important;}” el_class=”go-ahead-7″ el_id=”trailer”][vc_column][vc_row_inner][vc_column_inner] \n \n \n \n \n \n \n <\/a>\n <\/div>\n \n TRAILER<\/a><\/h5>\n \n <\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n \n [\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row full_width=”stretch_row_content” css=”.vc_custom_1631529182716{padding-top: 3% !important;padding-bottom: 6% !important;background-color: #003153 !important;}” el_id=”quadern”][vc_column][vc_row_inner][vc_column_inner][vc_custom_heading heading_style=”heading_style_11″ text=”The Autotelic Notebook” font_container=”tag:h2|text_align:center|color:%23ffffff” use_theme_fonts=”yes” css=”.vc_custom_1631529237479{padding-top: 3% !important;padding-bottom: 3% !important;}”][vc_custom_heading heading_style=”sub_heading_style_2″ text=”Work in progress” font_container=”tag:h4|text_align:center|color:%23ffffff” use_theme_fonts=”yes” css=”.vc_custom_1631529307682{padding-bottom: 3% !important;}”][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner width=”1\/2″][vc_single_image image=”3656″ img_size=”large” alignment=”center”][\/vc_column_inner][vc_column_inner width=”1\/2″ css=”.vc_custom_1631265687700{padding-right: 30% !important;}”][vc_column_text]<\/p>\n
Premise<\/strong>\u00a0<\/span><\/p>\nThe most valuable certainty of our condition originates in contemplation.<\/span><\/p>\nThe film <\/span>Coneixen\u00e7a<\/span><\/i> (\u201cknowledge\u201d in Catalan) is contemplated with the creation of an online game, based on an interactive notebook called <\/span>El Quadern Autot\u00e8lic<\/span><\/i> (\u201cthe autotelic notebook\u201d). The notebook offers content through drawings, illustrations, texts, photographs, music and small video capsules. The user can participate by creating new pages with the incorporation of drawings, texts and photographs.<\/span>
\n<\/span>
\n<\/span>The plot reflects the construction of the creative process itself in formal terms, offering ideas and concepts mainly linked to nature, music and painting. The content is related to the five acts of the film <\/span>Coneixen\u00e7a:<\/span><\/i> search, discover, practice, relate and comprehend.\u00a0<\/span><\/p>\n[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row full_width=”stretch_row” css=”.vc_custom_1631024810767{padding-top: 8% !important;padding-bottom: 10% !important;background: #121212 url(https:\/\/www.movie-ments.cat\/coneixenca\/wp-content\/uploads\/2021\/09\/Faig2.jpg?id=3461) !important;background-position: center !important;background-repeat: no-repeat !important;background-size: cover !important;}” el_id=”credits”][vc_column][vc_row_inner][vc_column_inner][vc_custom_heading heading_style=”heading_style_11″ text=”Credits” font_container=”tag:h2|text_align:center” use_theme_fonts=”yes” css=”.vc_custom_1631270080581{padding-top: 3% !important;padding-bottom: 3% !important;}”][\/vc_column_inner][\/vc_row_inner][vc_row_inner css=”.vc_custom_1530603953052{padding-top: 8% !important;padding-bottom: 8% !important;}”][vc_column_inner]
\n \n\t\n\t\t\t \t interpreters<\/span>\n\t \t\t \t \n\t \t\t \t\tMARCO SALERNO, ANIOL PETIT, LAIA BOSCH\t \t\t\t \t<\/span>\n\t \t\t \t \t With the participation of<\/span>\n\t \t\t \t \n\t \t\t \t\tIRIS PETIT, GEN\u00cdS PETIT, GL\u00d2RIA CANTERO, JOSEP MARIA PETIT\t \t\t\t \t<\/span>\n\t \t\t \t \t Direction and writing<\/span>\n\t \t\t \t \n\t \t\t \t\tFRANCESC FONT\t \t\t\t \t<\/span>\n\t \t\t \t \t Production<\/span>\n\t \t\t \t \n\t \t\t \t\tMovie-ments\t \t\t\t \t<\/span>\n\t \t\t \t \t Original Music<\/span>\n\t \t\t \t \n\t \t\t \t\tMAGAM (Marta Vila i Vega Montero)\t \t\t\t \t<\/span>\n\t \t\t \t \t Musician performer<\/span>\n\t \t\t \t \n\t \t\t \t\tPACO VICIANA (Benedictus. Karl Jenkins)\t \t\t\t \t<\/span>\n\t \t\t \t \t Photography and camera<\/span>\n\t \t\t \t \n\t \t\t \t\tFRANCESC FONT\t\t \t\t\t \t<\/span>\n\t \t\t \t \t Postproduction<\/span>\n\t \t\t \t \n\t \t\t \t\tXAVIER P\u00c9REZ\t \t\t\t \t<\/span>\n\t \t\t \t \t Assembly and calibration<\/span>\n\t \t\t \t \n\t \t\t \t\tFRANCESC FONT\t \t\t\t \t<\/span>\n\t \t\t \t \t Voiceover off<\/span>\n\t \t\t \t \n\t \t\t \t\tANIOL PETIT\t \t\t\t \t<\/span>\n\t \t\t \t \t M\u00e0ster DCP<\/span>\n\t \t\t \t \n\t \t\t \t\tFROMZERO\t \t\t\t \t<\/span>\n\t \t\t \t \t Sound postproduction and mixes<\/span>\n\t \t\t \t \n\t \t\t \t\tLLU\u00cdS COSTA\t \t\t\t \t<\/span>\n\t \t\t \t \t Recording studio<\/span>\n\t \t\t \t \n\t \t\t \t\tSOUNDCLUB\t \t\t\t \t<\/span>\n\t \t\t \t \t graphic design poster<\/span>\n\t \t\t \t \n\t \t\t \t\tCAROLINA TR\u00c8BOL\t \t\t\t \t<\/span>\n\t \t\t \t \t TECHNICAL ADVICE<\/span>\n\t \t\t \t \n\t \t\t \t\tXAVIER P\u00c9REZ\t \t\t\t \t<\/span>\n\t \t\t \t \t Equipment coordination<\/span>\n\t \t\t \t \n\t \t\t \t\tERNEST FORTS \t \t\t\t \t<\/span>\n\t \t\t \t \t Slate sequence and Caravaggio Concept art:<\/span>\n\t \t\t \t \n\t \t\t \t\tJOSEP PLAJA, ADRIANA PUIGVERT - DRIN -\t \t\t\t \t<\/span>\n\t \t\t \t \t Assistant director<\/span>\n\t \t\t \t \n\t \t\t \t\tPAU RODR\u00cdGUEZ\t \t\t\t \t<\/span>\n\t \t\t \t \t Photography<\/span>\n\t \t\t \t \n\t \t\t \t\tDANIEL DE JOSE -DEJU-, MART\u00cd PLUMA \t \t\t\t \t<\/span>\n\t \t\t \t \t In collaboration with<\/span>\n\t \t\t \t \n\t \t\t \t\tEU ERAM - GRAU EN COMUNICACI\u00d3 AUDIOVISUAL I MULTIM\u00c8DIA\t \t\t\t \t<\/span>\n\t \t\t \t \t In collaboration with<\/span>\n\t \t\t \t \n\t \t\t \t\tRaffaele Pagani Fotografies\t \t\t\t \t<\/span>\n\t \t\t <\/div>\n<\/div> <\/div>\n [\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row full_width=”stretch_row” css=”.vc_custom_1614857321718{padding-top: 3% !important;padding-bottom: 3% !important;background-color: #003153 !important;}” el_id=”localitzacions”][vc_column][vc_row_inner][vc_column_inner][vc_custom_heading heading_style=”heading_style_11″ text=”Locations” font_container=”tag:h2|text_align:center” use_theme_fonts=”yes” css=”.vc_custom_1631270272348{padding-top: 3% !important;padding-bottom: 3% !important;}”][vc_column_text]<\/p>\nOne of this project\u2019s determining factors is the treatment of space. Certain workshop interiors are shown to emphasise space, regardless of the characters. To give space an independent role in the action, because a particular intimate time flows through space.<\/span><\/p>\nLocated in the northeast corner of Catalonia, we are home to one of the most important identifying elements of the territory, Alt Empord\u00e0, an area which stretches from the coastal landscape to the mountain, not to mention the urban landscape. This important identify-defining value of the county\u2019s landscape will frame the film\u2019s exterior scenes in a striking way.\u00a0<\/span><\/p>\nThe town of Ordis, home to the luthier’s workshop, lies nestled in a landscape which delves in through narrow paths until reaching the church, flanked by a luxurious cypress. A few barley sprigs are depicted on its shield, allusions to the town’s name and the centuries-old farming of its land.<\/span><\/p>\nThe learning sequence associated with the board unfolds inside the Chapel of Saint Lucy in Girona.\u00a0<\/span><\/p>\nThe different trees referenced are principally located in the landscape of the county of Pla de l\u2019Estany.\u00a0 The maple and willow in Banyoles, the boxwood in <\/span>Porqueres<\/span>, the cypress in Rav\u00f3s de Terri, the walnut tree in Vilamar\u00ed and the spruce in <\/span>Sant Miquel de Campmajor and the spruces of the town of Susqueda in Sant Mart\u00ed Sacalm.<\/span><\/p>\nAniol Petit\u2019s workshop is in the municipality of Sant Cebri\u00e0 de Vallalta, near the town of Sant Pol de Mar in the county of Maresme. A space located on the threshold of <\/span>
\n<\/span>Montnegre Corredor Natural Park with extensive formations of holly and cork oak groves.<\/span><\/p>\n[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row full_width=”stretch_row_content_no_spaces” css=”.vc_custom_1614853137681{padding-top: 3% !important;padding-bottom: 3% !important;background-color: #003153 !important;}”][vc_column][vc_row_inner][vc_column_inner] \n \n
\n \n \n \n \n \n \n - <\/i><\/a><\/li>\n <\/ul>\n <\/div>\n \n
\n Banyoles <\/h5>\n
\/ L\u2019aur\u00f3 i el salze<\/p>\n <\/div>\n <\/div>\n <\/div>\n
\n \n \n
\n 3. Randomness as a trigger for neutralising reason and its premeditations.<\/a>\n <\/h4>\n <\/div>\n \n \n We aim to discover what is genuinely manifested, not just locate the manifestation of what reason has premeditated. What we intend is to minimise the risks of conditioning the performative existence to a single descriptive pattern of reality. That is, we position ourselves to facilitate divergent readings of the same phenomenon. <\/div>\n <\/div>\n <\/div>\n \n \n \n 4. The initial exploration of the space and the observation of the protagonists' point of view.<\/a>\n <\/h4>\n <\/div>\n \n \n The principal activity is constituted by the author and characters\u2019 vision on the subtle relationships, more or less profound, which they establish with the world. \nIn fact, documentary essays are characterised by the creative impulse as a form of vital witnessing, the reflective pursuit and the intention of delving into what is human. To find something that verifies itself as a carrier of truth, it is necessary to turn to the patient observation of events in the sensitive life. <\/div>\n <\/div>\n <\/div>\n \n \n \n 5. Conceptualisation in order to avoid dispersion and define the field of action. <\/a>\n <\/h4>\n <\/div>\n \n \n While there is a great willingness to look closely at what is being produced, it is also important to define some concepts that act as anchors for the vast unknown field of exploration that we will delve into.\nProduction also involves reflecting on the creative process itself by alternating short texts, reflections and activities of documentary-making in parallel, for example, to the filming experiences and the possible alternatives for the musical construction. <\/div>\n <\/div>\n <\/div>\n \n \n \n 6.\u00a0The mobilisation of a skeleton crew for solo shooting.\u00a0\u00a0<\/a>\n <\/h4>\n <\/div>\n \n \n Due to the characteristics of the work, the activities must be developed with a small production team, and on many occasions, the author must perform the recording activity alone. Consequently, what may also condition the creation of a documentary essay is the fact of making do without the resources of conventional productions, so closely tied to limited calendars and concentrated work in specialised groups. <\/div>\n <\/div>\n <\/div>\n \n \n \n 7. The assiduity of the activities to discover the future plot.\u00a0<\/a>\n <\/h4>\n <\/div>\n \n \n The regularity and frequency of recording activities practically turn them into a daily event. The fluxes of life are intimately related to the artistic activity itself, because the expressive necessity is honest, and commitment is paramount. \n\nThe methodology of work requires filmings diversified in time which tend to go on for up to a couple of years. In order to begin the field work with the participation of the future collaborators and protagonists, a weekly filming schedule will be set. Thus, the exploration of reality can be embarked upon together. On another note, any commercial link with the protagonists is ruled out right from the start. <\/div>\n <\/div>\n <\/div>\n \n \n \n 8.\u00a0Activation of interplay with the protagonists when the action slows down.<\/a>\n <\/h4>\n <\/div>\n \n \n The only intentional thing we do is to use playfulness as a resource for activating interaction with a reality that tends to freeze itself parsimoniously. \nIn other words, the projection of fantasy appears as a suggestion through playing. The staging is enriched with action to complement the apparent reality of a certain poetics. <\/div>\n <\/div>\n <\/div>\n \n \n \n 9. The construction of meanings with the essence of the filmed event.\u00a0<\/a>\n <\/h4>\n <\/div>\n \n \n This work formula also makes it possible to access the editing material intermittently, which facilitates the detailed observation of other recorded elements and generates new conceptual challenges in the search for plot structures or expressive tools. <\/div>\n <\/div>\n <\/div>\n \n \n \n 10.\u00a0The interweaving of events and the emergence of allegories to reveal the world.<\/a>\n <\/h4>\n <\/div>\n \n \n Life occurs in multiple events which permanently alter the appearances of spatial and temporal reality. A discovery or stroke of luck stems from the interweaving of certain events into an emotional whole which may end up revealing its intimate meaning. \n\nTransformation and lived experience engender the shape of the final work. The completed creation shows a certain identifiable stamp, as can be reflected in the use of cohesive allegories in the representation of symbolic meanings. \n\nAll in all, we could assert that the definition of the documentary film genre is particularly characterised by the unique way in which the creative process is applied. <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n<\/div> <\/div>\n [\/vc_column_inner][vc_column_inner width=”1\/6″][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner width=”1\/6″][\/vc_column_inner][vc_column_inner width=”2\/3″][vc_custom_heading heading_style=”heading_style_11″ text=”PREMISE” font_container=”tag:h2|text_align:center|color:%23ffffff” use_theme_fonts=”yes” css=”.vc_custom_1631270004115{padding-top: 3% !important;padding-bottom: 3% !important;}”][vc_column_text]<\/p>\nWe aim to pursue the transformation of matter mainly by working with wood to build instruments in the luthier\u2019s workshop.<\/span> We want to emphasise the harmonic values of humans with nature. Human activity processing matter to transform it into vibration, vibrations inherent to the universe…\u00a0<\/span><\/p>\nThe word <\/span>matter<\/span><\/i> has, in its Greek and Latin origin, the meaning of wood, construction material, forest, jungle. The uniqueness of the word <\/span>luthier<\/span><\/i> is interesting; derived from <\/span>luth<\/span><\/i> (<\/span>lute<\/span><\/a>), the term really comes from the Arabic <\/span>al-`\u016bd<\/span><\/i> (lute), which means \u201cthe wood\u201d.<\/span><\/p>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/6″][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row full_width=”stretch_row_content” css=”.vc_custom_1614853107397{padding-bottom: 5% !important;background-color: #003153 !important;}” el_class=”go-ahead-7″][vc_column width=”5\/12″ css=”.vc_custom_1614852486021{background-image: url(https:\/\/www.movie-ments.cat\/coneixenca\/wp-content\/uploads\/2021\/03\/IMG_25212-1-scaled.jpg?id=3388) !important;background-position: center !important;background-repeat: no-repeat !important;background-size: cover !important;}”][vc_row_inner][vc_column_inner]
\n \n\t\n SYNOPSIS<\/div>\n A disciple learns, from the master luthier, the remarkable construction of some string instruments through observation and praxis. A journey in search of those chords capable of taking the human being out of itself.<\/div>\n <\/div>\n<\/div> <\/div>\n [\/vc_column_inner][\/vc_row_inner][\/vc_column][vc_column width=”7\/12″][vc_row_inner][vc_column_inner][vc_single_image image=”3654″ img_size=”large” alignment=”center”][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row full_width=”stretch_row” css=”.vc_custom_1614857307554{padding-bottom: 5% !important;background-color: #003153 !important;}” el_class=”go-ahead-7″ el_id=”trailer”][vc_column][vc_row_inner][vc_column_inner] \n \n \n \n \n \n \n <\/a>\n <\/div>\n \n TRAILER<\/a><\/h5>\n \n <\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n \n [\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row full_width=”stretch_row_content” css=”.vc_custom_1631529182716{padding-top: 3% !important;padding-bottom: 6% !important;background-color: #003153 !important;}” el_id=”quadern”][vc_column][vc_row_inner][vc_column_inner][vc_custom_heading heading_style=”heading_style_11″ text=”The Autotelic Notebook” font_container=”tag:h2|text_align:center|color:%23ffffff” use_theme_fonts=”yes” css=”.vc_custom_1631529237479{padding-top: 3% !important;padding-bottom: 3% !important;}”][vc_custom_heading heading_style=”sub_heading_style_2″ text=”Work in progress” font_container=”tag:h4|text_align:center|color:%23ffffff” use_theme_fonts=”yes” css=”.vc_custom_1631529307682{padding-bottom: 3% !important;}”][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner width=”1\/2″][vc_single_image image=”3656″ img_size=”large” alignment=”center”][\/vc_column_inner][vc_column_inner width=”1\/2″ css=”.vc_custom_1631265687700{padding-right: 30% !important;}”][vc_column_text]<\/p>\n
Premise<\/strong>\u00a0<\/span><\/p>\nThe most valuable certainty of our condition originates in contemplation.<\/span><\/p>\nThe film <\/span>Coneixen\u00e7a<\/span><\/i> (\u201cknowledge\u201d in Catalan) is contemplated with the creation of an online game, based on an interactive notebook called <\/span>El Quadern Autot\u00e8lic<\/span><\/i> (\u201cthe autotelic notebook\u201d). The notebook offers content through drawings, illustrations, texts, photographs, music and small video capsules. The user can participate by creating new pages with the incorporation of drawings, texts and photographs.<\/span>
\n<\/span>
\n<\/span>The plot reflects the construction of the creative process itself in formal terms, offering ideas and concepts mainly linked to nature, music and painting. The content is related to the five acts of the film <\/span>Coneixen\u00e7a:<\/span><\/i> search, discover, practice, relate and comprehend.\u00a0<\/span><\/p>\n[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row full_width=”stretch_row” css=”.vc_custom_1631024810767{padding-top: 8% !important;padding-bottom: 10% !important;background: #121212 url(https:\/\/www.movie-ments.cat\/coneixenca\/wp-content\/uploads\/2021\/09\/Faig2.jpg?id=3461) !important;background-position: center !important;background-repeat: no-repeat !important;background-size: cover !important;}” el_id=”credits”][vc_column][vc_row_inner][vc_column_inner][vc_custom_heading heading_style=”heading_style_11″ text=”Credits” font_container=”tag:h2|text_align:center” use_theme_fonts=”yes” css=”.vc_custom_1631270080581{padding-top: 3% !important;padding-bottom: 3% !important;}”][\/vc_column_inner][\/vc_row_inner][vc_row_inner css=”.vc_custom_1530603953052{padding-top: 8% !important;padding-bottom: 8% !important;}”][vc_column_inner]
\n \n\t\n\t\t\t \t interpreters<\/span>\n\t \t\t \t \n\t \t\t \t\tMARCO SALERNO, ANIOL PETIT, LAIA BOSCH\t \t\t\t \t<\/span>\n\t \t\t \t \t With the participation of<\/span>\n\t \t\t \t \n\t \t\t \t\tIRIS PETIT, GEN\u00cdS PETIT, GL\u00d2RIA CANTERO, JOSEP MARIA PETIT\t \t\t\t \t<\/span>\n\t \t\t \t \t Direction and writing<\/span>\n\t \t\t \t \n\t \t\t \t\tFRANCESC FONT\t \t\t\t \t<\/span>\n\t \t\t \t \t Production<\/span>\n\t \t\t \t \n\t \t\t \t\tMovie-ments\t \t\t\t \t<\/span>\n\t \t\t \t \t Original Music<\/span>\n\t \t\t \t \n\t \t\t \t\tMAGAM (Marta Vila i Vega Montero)\t \t\t\t \t<\/span>\n\t \t\t \t \t Musician performer<\/span>\n\t \t\t \t \n\t \t\t \t\tPACO VICIANA (Benedictus. Karl Jenkins)\t \t\t\t \t<\/span>\n\t \t\t \t \t Photography and camera<\/span>\n\t \t\t \t \n\t \t\t \t\tFRANCESC FONT\t\t \t\t\t \t<\/span>\n\t \t\t \t \t Postproduction<\/span>\n\t \t\t \t \n\t \t\t \t\tXAVIER P\u00c9REZ\t \t\t\t \t<\/span>\n\t \t\t \t \t Assembly and calibration<\/span>\n\t \t\t \t \n\t \t\t \t\tFRANCESC FONT\t \t\t\t \t<\/span>\n\t \t\t \t \t Voiceover off<\/span>\n\t \t\t \t \n\t \t\t \t\tANIOL PETIT\t \t\t\t \t<\/span>\n\t \t\t \t \t M\u00e0ster DCP<\/span>\n\t \t\t \t \n\t \t\t \t\tFROMZERO\t \t\t\t \t<\/span>\n\t \t\t \t \t Sound postproduction and mixes<\/span>\n\t \t\t \t \n\t \t\t \t\tLLU\u00cdS COSTA\t \t\t\t \t<\/span>\n\t \t\t \t \t Recording studio<\/span>\n\t \t\t \t \n\t \t\t \t\tSOUNDCLUB\t \t\t\t \t<\/span>\n\t \t\t \t \t graphic design poster<\/span>\n\t \t\t \t \n\t \t\t \t\tCAROLINA TR\u00c8BOL\t \t\t\t \t<\/span>\n\t \t\t \t \t TECHNICAL ADVICE<\/span>\n\t \t\t \t \n\t \t\t \t\tXAVIER P\u00c9REZ\t \t\t\t \t<\/span>\n\t \t\t \t \t Equipment coordination<\/span>\n\t \t\t \t \n\t \t\t \t\tERNEST FORTS \t \t\t\t \t<\/span>\n\t \t\t \t \t Slate sequence and Caravaggio Concept art:<\/span>\n\t \t\t \t \n\t \t\t \t\tJOSEP PLAJA, ADRIANA PUIGVERT - DRIN -\t \t\t\t \t<\/span>\n\t \t\t \t \t Assistant director<\/span>\n\t \t\t \t \n\t \t\t \t\tPAU RODR\u00cdGUEZ\t \t\t\t \t<\/span>\n\t \t\t \t \t Photography<\/span>\n\t \t\t \t \n\t \t\t \t\tDANIEL DE JOSE -DEJU-, MART\u00cd PLUMA \t \t\t\t \t<\/span>\n\t \t\t \t \t In collaboration with<\/span>\n\t \t\t \t \n\t \t\t \t\tEU ERAM - GRAU EN COMUNICACI\u00d3 AUDIOVISUAL I MULTIM\u00c8DIA\t \t\t\t \t<\/span>\n\t \t\t \t \t In collaboration with<\/span>\n\t \t\t \t \n\t \t\t \t\tRaffaele Pagani Fotografies\t \t\t\t \t<\/span>\n\t \t\t <\/div>\n<\/div> <\/div>\n [\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row full_width=”stretch_row” css=”.vc_custom_1614857321718{padding-top: 3% !important;padding-bottom: 3% !important;background-color: #003153 !important;}” el_id=”localitzacions”][vc_column][vc_row_inner][vc_column_inner][vc_custom_heading heading_style=”heading_style_11″ text=”Locations” font_container=”tag:h2|text_align:center” use_theme_fonts=”yes” css=”.vc_custom_1631270272348{padding-top: 3% !important;padding-bottom: 3% !important;}”][vc_column_text]<\/p>\nOne of this project\u2019s determining factors is the treatment of space. Certain workshop interiors are shown to emphasise space, regardless of the characters. To give space an independent role in the action, because a particular intimate time flows through space.<\/span><\/p>\nLocated in the northeast corner of Catalonia, we are home to one of the most important identifying elements of the territory, Alt Empord\u00e0, an area which stretches from the coastal landscape to the mountain, not to mention the urban landscape. This important identify-defining value of the county\u2019s landscape will frame the film\u2019s exterior scenes in a striking way.\u00a0<\/span><\/p>\nThe town of Ordis, home to the luthier’s workshop, lies nestled in a landscape which delves in through narrow paths until reaching the church, flanked by a luxurious cypress. A few barley sprigs are depicted on its shield, allusions to the town’s name and the centuries-old farming of its land.<\/span><\/p>\nThe learning sequence associated with the board unfolds inside the Chapel of Saint Lucy in Girona.\u00a0<\/span><\/p>\nThe different trees referenced are principally located in the landscape of the county of Pla de l\u2019Estany.\u00a0 The maple and willow in Banyoles, the boxwood in <\/span>Porqueres<\/span>, the cypress in Rav\u00f3s de Terri, the walnut tree in Vilamar\u00ed and the spruce in <\/span>Sant Miquel de Campmajor and the spruces of the town of Susqueda in Sant Mart\u00ed Sacalm.<\/span><\/p>\nAniol Petit\u2019s workshop is in the municipality of Sant Cebri\u00e0 de Vallalta, near the town of Sant Pol de Mar in the county of Maresme. A space located on the threshold of <\/span>
\n<\/span>Montnegre Corredor Natural Park with extensive formations of holly and cork oak groves.<\/span><\/p>\n[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row full_width=”stretch_row_content_no_spaces” css=”.vc_custom_1614853137681{padding-top: 3% !important;padding-bottom: 3% !important;background-color: #003153 !important;}”][vc_column][vc_row_inner][vc_column_inner] \n \n
\n \n \n \n \n \n \n - <\/i><\/a><\/li>\n <\/ul>\n <\/div>\n \n
\n Banyoles <\/h5>\n
\/ L\u2019aur\u00f3 i el salze<\/p>\n <\/div>\n <\/div>\n <\/div>\n
\n \n \n
\n 4. The initial exploration of the space and the observation of the protagonists' point of view.<\/a>\n <\/h4>\n <\/div>\n \n \n The principal activity is constituted by the author and characters\u2019 vision on the subtle relationships, more or less profound, which they establish with the world. \nIn fact, documentary essays are characterised by the creative impulse as a form of vital witnessing, the reflective pursuit and the intention of delving into what is human. To find something that verifies itself as a carrier of truth, it is necessary to turn to the patient observation of events in the sensitive life. <\/div>\n <\/div>\n <\/div>\n \n \n \n 5. Conceptualisation in order to avoid dispersion and define the field of action. <\/a>\n <\/h4>\n <\/div>\n \n \n While there is a great willingness to look closely at what is being produced, it is also important to define some concepts that act as anchors for the vast unknown field of exploration that we will delve into.\nProduction also involves reflecting on the creative process itself by alternating short texts, reflections and activities of documentary-making in parallel, for example, to the filming experiences and the possible alternatives for the musical construction. <\/div>\n <\/div>\n <\/div>\n \n \n \n 6.\u00a0The mobilisation of a skeleton crew for solo shooting.\u00a0\u00a0<\/a>\n <\/h4>\n <\/div>\n \n \n Due to the characteristics of the work, the activities must be developed with a small production team, and on many occasions, the author must perform the recording activity alone. Consequently, what may also condition the creation of a documentary essay is the fact of making do without the resources of conventional productions, so closely tied to limited calendars and concentrated work in specialised groups. <\/div>\n <\/div>\n <\/div>\n \n \n \n 7. The assiduity of the activities to discover the future plot.\u00a0<\/a>\n <\/h4>\n <\/div>\n \n \n The regularity and frequency of recording activities practically turn them into a daily event. The fluxes of life are intimately related to the artistic activity itself, because the expressive necessity is honest, and commitment is paramount. \n\nThe methodology of work requires filmings diversified in time which tend to go on for up to a couple of years. In order to begin the field work with the participation of the future collaborators and protagonists, a weekly filming schedule will be set. Thus, the exploration of reality can be embarked upon together. On another note, any commercial link with the protagonists is ruled out right from the start. <\/div>\n <\/div>\n <\/div>\n \n \n \n 8.\u00a0Activation of interplay with the protagonists when the action slows down.<\/a>\n <\/h4>\n <\/div>\n \n \n The only intentional thing we do is to use playfulness as a resource for activating interaction with a reality that tends to freeze itself parsimoniously. \nIn other words, the projection of fantasy appears as a suggestion through playing. The staging is enriched with action to complement the apparent reality of a certain poetics. <\/div>\n <\/div>\n <\/div>\n \n \n \n 9. The construction of meanings with the essence of the filmed event.\u00a0<\/a>\n <\/h4>\n <\/div>\n \n \n This work formula also makes it possible to access the editing material intermittently, which facilitates the detailed observation of other recorded elements and generates new conceptual challenges in the search for plot structures or expressive tools. <\/div>\n <\/div>\n <\/div>\n \n \n \n 10.\u00a0The interweaving of events and the emergence of allegories to reveal the world.<\/a>\n <\/h4>\n <\/div>\n \n \n Life occurs in multiple events which permanently alter the appearances of spatial and temporal reality. A discovery or stroke of luck stems from the interweaving of certain events into an emotional whole which may end up revealing its intimate meaning. \n\nTransformation and lived experience engender the shape of the final work. The completed creation shows a certain identifiable stamp, as can be reflected in the use of cohesive allegories in the representation of symbolic meanings. \n\nAll in all, we could assert that the definition of the documentary film genre is particularly characterised by the unique way in which the creative process is applied. <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n<\/div> <\/div>\n [\/vc_column_inner][vc_column_inner width=”1\/6″][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner width=”1\/6″][\/vc_column_inner][vc_column_inner width=”2\/3″][vc_custom_heading heading_style=”heading_style_11″ text=”PREMISE” font_container=”tag:h2|text_align:center|color:%23ffffff” use_theme_fonts=”yes” css=”.vc_custom_1631270004115{padding-top: 3% !important;padding-bottom: 3% !important;}”][vc_column_text]<\/p>\nWe aim to pursue the transformation of matter mainly by working with wood to build instruments in the luthier\u2019s workshop.<\/span> We want to emphasise the harmonic values of humans with nature. Human activity processing matter to transform it into vibration, vibrations inherent to the universe…\u00a0<\/span><\/p>\nThe word <\/span>matter<\/span><\/i> has, in its Greek and Latin origin, the meaning of wood, construction material, forest, jungle. The uniqueness of the word <\/span>luthier<\/span><\/i> is interesting; derived from <\/span>luth<\/span><\/i> (<\/span>lute<\/span><\/a>), the term really comes from the Arabic <\/span>al-`\u016bd<\/span><\/i> (lute), which means \u201cthe wood\u201d.<\/span><\/p>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/6″][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row full_width=”stretch_row_content” css=”.vc_custom_1614853107397{padding-bottom: 5% !important;background-color: #003153 !important;}” el_class=”go-ahead-7″][vc_column width=”5\/12″ css=”.vc_custom_1614852486021{background-image: url(https:\/\/www.movie-ments.cat\/coneixenca\/wp-content\/uploads\/2021\/03\/IMG_25212-1-scaled.jpg?id=3388) !important;background-position: center !important;background-repeat: no-repeat !important;background-size: cover !important;}”][vc_row_inner][vc_column_inner]
\n \n\t\n SYNOPSIS<\/div>\n A disciple learns, from the master luthier, the remarkable construction of some string instruments through observation and praxis. A journey in search of those chords capable of taking the human being out of itself.<\/div>\n <\/div>\n<\/div> <\/div>\n [\/vc_column_inner][\/vc_row_inner][\/vc_column][vc_column width=”7\/12″][vc_row_inner][vc_column_inner][vc_single_image image=”3654″ img_size=”large” alignment=”center”][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row full_width=”stretch_row” css=”.vc_custom_1614857307554{padding-bottom: 5% !important;background-color: #003153 !important;}” el_class=”go-ahead-7″ el_id=”trailer”][vc_column][vc_row_inner][vc_column_inner] \n \n \n \n \n \n \n <\/a>\n <\/div>\n \n TRAILER<\/a><\/h5>\n \n <\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n \n [\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row full_width=”stretch_row_content” css=”.vc_custom_1631529182716{padding-top: 3% !important;padding-bottom: 6% !important;background-color: #003153 !important;}” el_id=”quadern”][vc_column][vc_row_inner][vc_column_inner][vc_custom_heading heading_style=”heading_style_11″ text=”The Autotelic Notebook” font_container=”tag:h2|text_align:center|color:%23ffffff” use_theme_fonts=”yes” css=”.vc_custom_1631529237479{padding-top: 3% !important;padding-bottom: 3% !important;}”][vc_custom_heading heading_style=”sub_heading_style_2″ text=”Work in progress” font_container=”tag:h4|text_align:center|color:%23ffffff” use_theme_fonts=”yes” css=”.vc_custom_1631529307682{padding-bottom: 3% !important;}”][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner width=”1\/2″][vc_single_image image=”3656″ img_size=”large” alignment=”center”][\/vc_column_inner][vc_column_inner width=”1\/2″ css=”.vc_custom_1631265687700{padding-right: 30% !important;}”][vc_column_text]<\/p>\n
Premise<\/strong>\u00a0<\/span><\/p>\nThe most valuable certainty of our condition originates in contemplation.<\/span><\/p>\nThe film <\/span>Coneixen\u00e7a<\/span><\/i> (\u201cknowledge\u201d in Catalan) is contemplated with the creation of an online game, based on an interactive notebook called <\/span>El Quadern Autot\u00e8lic<\/span><\/i> (\u201cthe autotelic notebook\u201d). The notebook offers content through drawings, illustrations, texts, photographs, music and small video capsules. The user can participate by creating new pages with the incorporation of drawings, texts and photographs.<\/span>
\n<\/span>
\n<\/span>The plot reflects the construction of the creative process itself in formal terms, offering ideas and concepts mainly linked to nature, music and painting. The content is related to the five acts of the film <\/span>Coneixen\u00e7a:<\/span><\/i> search, discover, practice, relate and comprehend.\u00a0<\/span><\/p>\n[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row full_width=”stretch_row” css=”.vc_custom_1631024810767{padding-top: 8% !important;padding-bottom: 10% !important;background: #121212 url(https:\/\/www.movie-ments.cat\/coneixenca\/wp-content\/uploads\/2021\/09\/Faig2.jpg?id=3461) !important;background-position: center !important;background-repeat: no-repeat !important;background-size: cover !important;}” el_id=”credits”][vc_column][vc_row_inner][vc_column_inner][vc_custom_heading heading_style=”heading_style_11″ text=”Credits” font_container=”tag:h2|text_align:center” use_theme_fonts=”yes” css=”.vc_custom_1631270080581{padding-top: 3% !important;padding-bottom: 3% !important;}”][\/vc_column_inner][\/vc_row_inner][vc_row_inner css=”.vc_custom_1530603953052{padding-top: 8% !important;padding-bottom: 8% !important;}”][vc_column_inner]
\n \n\t\n\t\t\t \t interpreters<\/span>\n\t \t\t \t \n\t \t\t \t\tMARCO SALERNO, ANIOL PETIT, LAIA BOSCH\t \t\t\t \t<\/span>\n\t \t\t \t \t With the participation of<\/span>\n\t \t\t \t \n\t \t\t \t\tIRIS PETIT, GEN\u00cdS PETIT, GL\u00d2RIA CANTERO, JOSEP MARIA PETIT\t \t\t\t \t<\/span>\n\t \t\t \t \t Direction and writing<\/span>\n\t \t\t \t \n\t \t\t \t\tFRANCESC FONT\t \t\t\t \t<\/span>\n\t \t\t \t \t Production<\/span>\n\t \t\t \t \n\t \t\t \t\tMovie-ments\t \t\t\t \t<\/span>\n\t \t\t \t \t Original Music<\/span>\n\t \t\t \t \n\t \t\t \t\tMAGAM (Marta Vila i Vega Montero)\t \t\t\t \t<\/span>\n\t \t\t \t \t Musician performer<\/span>\n\t \t\t \t \n\t \t\t \t\tPACO VICIANA (Benedictus. Karl Jenkins)\t \t\t\t \t<\/span>\n\t \t\t \t \t Photography and camera<\/span>\n\t \t\t \t \n\t \t\t \t\tFRANCESC FONT\t\t \t\t\t \t<\/span>\n\t \t\t \t \t Postproduction<\/span>\n\t \t\t \t \n\t \t\t \t\tXAVIER P\u00c9REZ\t \t\t\t \t<\/span>\n\t \t\t \t \t Assembly and calibration<\/span>\n\t \t\t \t \n\t \t\t \t\tFRANCESC FONT\t \t\t\t \t<\/span>\n\t \t\t \t \t Voiceover off<\/span>\n\t \t\t \t \n\t \t\t \t\tANIOL PETIT\t \t\t\t \t<\/span>\n\t \t\t \t \t M\u00e0ster DCP<\/span>\n\t \t\t \t \n\t \t\t \t\tFROMZERO\t \t\t\t \t<\/span>\n\t \t\t \t \t Sound postproduction and mixes<\/span>\n\t \t\t \t \n\t \t\t \t\tLLU\u00cdS COSTA\t \t\t\t \t<\/span>\n\t \t\t \t \t Recording studio<\/span>\n\t \t\t \t \n\t \t\t \t\tSOUNDCLUB\t \t\t\t \t<\/span>\n\t \t\t \t \t graphic design poster<\/span>\n\t \t\t \t \n\t \t\t \t\tCAROLINA TR\u00c8BOL\t \t\t\t \t<\/span>\n\t \t\t \t \t TECHNICAL ADVICE<\/span>\n\t \t\t \t \n\t \t\t \t\tXAVIER P\u00c9REZ\t \t\t\t \t<\/span>\n\t \t\t \t \t Equipment coordination<\/span>\n\t \t\t \t \n\t \t\t \t\tERNEST FORTS \t \t\t\t \t<\/span>\n\t \t\t \t \t Slate sequence and Caravaggio Concept art:<\/span>\n\t \t\t \t \n\t \t\t \t\tJOSEP PLAJA, ADRIANA PUIGVERT - DRIN -\t \t\t\t \t<\/span>\n\t \t\t \t \t Assistant director<\/span>\n\t \t\t \t \n\t \t\t \t\tPAU RODR\u00cdGUEZ\t \t\t\t \t<\/span>\n\t \t\t \t \t Photography<\/span>\n\t \t\t \t \n\t \t\t \t\tDANIEL DE JOSE -DEJU-, MART\u00cd PLUMA \t \t\t\t \t<\/span>\n\t \t\t \t \t In collaboration with<\/span>\n\t \t\t \t \n\t \t\t \t\tEU ERAM - GRAU EN COMUNICACI\u00d3 AUDIOVISUAL I MULTIM\u00c8DIA\t \t\t\t \t<\/span>\n\t \t\t \t \t In collaboration with<\/span>\n\t \t\t \t \n\t \t\t \t\tRaffaele Pagani Fotografies\t \t\t\t \t<\/span>\n\t \t\t <\/div>\n<\/div> <\/div>\n [\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row full_width=”stretch_row” css=”.vc_custom_1614857321718{padding-top: 3% !important;padding-bottom: 3% !important;background-color: #003153 !important;}” el_id=”localitzacions”][vc_column][vc_row_inner][vc_column_inner][vc_custom_heading heading_style=”heading_style_11″ text=”Locations” font_container=”tag:h2|text_align:center” use_theme_fonts=”yes” css=”.vc_custom_1631270272348{padding-top: 3% !important;padding-bottom: 3% !important;}”][vc_column_text]<\/p>\nOne of this project\u2019s determining factors is the treatment of space. Certain workshop interiors are shown to emphasise space, regardless of the characters. To give space an independent role in the action, because a particular intimate time flows through space.<\/span><\/p>\nLocated in the northeast corner of Catalonia, we are home to one of the most important identifying elements of the territory, Alt Empord\u00e0, an area which stretches from the coastal landscape to the mountain, not to mention the urban landscape. This important identify-defining value of the county\u2019s landscape will frame the film\u2019s exterior scenes in a striking way.\u00a0<\/span><\/p>\nThe town of Ordis, home to the luthier’s workshop, lies nestled in a landscape which delves in through narrow paths until reaching the church, flanked by a luxurious cypress. A few barley sprigs are depicted on its shield, allusions to the town’s name and the centuries-old farming of its land.<\/span><\/p>\nThe learning sequence associated with the board unfolds inside the Chapel of Saint Lucy in Girona.\u00a0<\/span><\/p>\nThe different trees referenced are principally located in the landscape of the county of Pla de l\u2019Estany.\u00a0 The maple and willow in Banyoles, the boxwood in <\/span>Porqueres<\/span>, the cypress in Rav\u00f3s de Terri, the walnut tree in Vilamar\u00ed and the spruce in <\/span>Sant Miquel de Campmajor and the spruces of the town of Susqueda in Sant Mart\u00ed Sacalm.<\/span><\/p>\nAniol Petit\u2019s workshop is in the municipality of Sant Cebri\u00e0 de Vallalta, near the town of Sant Pol de Mar in the county of Maresme. A space located on the threshold of <\/span>
\n<\/span>Montnegre Corredor Natural Park with extensive formations of holly and cork oak groves.<\/span><\/p>\n[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row full_width=”stretch_row_content_no_spaces” css=”.vc_custom_1614853137681{padding-top: 3% !important;padding-bottom: 3% !important;background-color: #003153 !important;}”][vc_column][vc_row_inner][vc_column_inner] \n \n
\n \n \n \n \n \n \n - <\/i><\/a><\/li>\n <\/ul>\n <\/div>\n \n
\n Banyoles <\/h5>\n
\/ L\u2019aur\u00f3 i el salze<\/p>\n <\/div>\n <\/div>\n <\/div>\n
\n \n \n
\n 5. Conceptualisation in order to avoid dispersion and define the field of action. <\/a>\n <\/h4>\n <\/div>\n \n \n While there is a great willingness to look closely at what is being produced, it is also important to define some concepts that act as anchors for the vast unknown field of exploration that we will delve into.\nProduction also involves reflecting on the creative process itself by alternating short texts, reflections and activities of documentary-making in parallel, for example, to the filming experiences and the possible alternatives for the musical construction. <\/div>\n <\/div>\n <\/div>\n \n \n \n 6.\u00a0The mobilisation of a skeleton crew for solo shooting.\u00a0\u00a0<\/a>\n <\/h4>\n <\/div>\n \n \n Due to the characteristics of the work, the activities must be developed with a small production team, and on many occasions, the author must perform the recording activity alone. Consequently, what may also condition the creation of a documentary essay is the fact of making do without the resources of conventional productions, so closely tied to limited calendars and concentrated work in specialised groups. <\/div>\n <\/div>\n <\/div>\n \n \n \n 7. The assiduity of the activities to discover the future plot.\u00a0<\/a>\n <\/h4>\n <\/div>\n \n \n The regularity and frequency of recording activities practically turn them into a daily event. The fluxes of life are intimately related to the artistic activity itself, because the expressive necessity is honest, and commitment is paramount. \n\nThe methodology of work requires filmings diversified in time which tend to go on for up to a couple of years. In order to begin the field work with the participation of the future collaborators and protagonists, a weekly filming schedule will be set. Thus, the exploration of reality can be embarked upon together. On another note, any commercial link with the protagonists is ruled out right from the start. <\/div>\n <\/div>\n <\/div>\n \n \n \n 8.\u00a0Activation of interplay with the protagonists when the action slows down.<\/a>\n <\/h4>\n <\/div>\n \n \n The only intentional thing we do is to use playfulness as a resource for activating interaction with a reality that tends to freeze itself parsimoniously. \nIn other words, the projection of fantasy appears as a suggestion through playing. The staging is enriched with action to complement the apparent reality of a certain poetics. <\/div>\n <\/div>\n <\/div>\n \n \n \n 9. The construction of meanings with the essence of the filmed event.\u00a0<\/a>\n <\/h4>\n <\/div>\n \n \n This work formula also makes it possible to access the editing material intermittently, which facilitates the detailed observation of other recorded elements and generates new conceptual challenges in the search for plot structures or expressive tools. <\/div>\n <\/div>\n <\/div>\n \n \n \n 10.\u00a0The interweaving of events and the emergence of allegories to reveal the world.<\/a>\n <\/h4>\n <\/div>\n \n \n Life occurs in multiple events which permanently alter the appearances of spatial and temporal reality. A discovery or stroke of luck stems from the interweaving of certain events into an emotional whole which may end up revealing its intimate meaning. \n\nTransformation and lived experience engender the shape of the final work. The completed creation shows a certain identifiable stamp, as can be reflected in the use of cohesive allegories in the representation of symbolic meanings. \n\nAll in all, we could assert that the definition of the documentary film genre is particularly characterised by the unique way in which the creative process is applied. <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n<\/div> <\/div>\n [\/vc_column_inner][vc_column_inner width=”1\/6″][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner width=”1\/6″][\/vc_column_inner][vc_column_inner width=”2\/3″][vc_custom_heading heading_style=”heading_style_11″ text=”PREMISE” font_container=”tag:h2|text_align:center|color:%23ffffff” use_theme_fonts=”yes” css=”.vc_custom_1631270004115{padding-top: 3% !important;padding-bottom: 3% !important;}”][vc_column_text]<\/p>\nWe aim to pursue the transformation of matter mainly by working with wood to build instruments in the luthier\u2019s workshop.<\/span> We want to emphasise the harmonic values of humans with nature. Human activity processing matter to transform it into vibration, vibrations inherent to the universe…\u00a0<\/span><\/p>\nThe word <\/span>matter<\/span><\/i> has, in its Greek and Latin origin, the meaning of wood, construction material, forest, jungle. The uniqueness of the word <\/span>luthier<\/span><\/i> is interesting; derived from <\/span>luth<\/span><\/i> (<\/span>lute<\/span><\/a>), the term really comes from the Arabic <\/span>al-`\u016bd<\/span><\/i> (lute), which means \u201cthe wood\u201d.<\/span><\/p>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/6″][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row full_width=”stretch_row_content” css=”.vc_custom_1614853107397{padding-bottom: 5% !important;background-color: #003153 !important;}” el_class=”go-ahead-7″][vc_column width=”5\/12″ css=”.vc_custom_1614852486021{background-image: url(https:\/\/www.movie-ments.cat\/coneixenca\/wp-content\/uploads\/2021\/03\/IMG_25212-1-scaled.jpg?id=3388) !important;background-position: center !important;background-repeat: no-repeat !important;background-size: cover !important;}”][vc_row_inner][vc_column_inner]
\n \n\t\n SYNOPSIS<\/div>\n A disciple learns, from the master luthier, the remarkable construction of some string instruments through observation and praxis. A journey in search of those chords capable of taking the human being out of itself.<\/div>\n <\/div>\n<\/div> <\/div>\n [\/vc_column_inner][\/vc_row_inner][\/vc_column][vc_column width=”7\/12″][vc_row_inner][vc_column_inner][vc_single_image image=”3654″ img_size=”large” alignment=”center”][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row full_width=”stretch_row” css=”.vc_custom_1614857307554{padding-bottom: 5% !important;background-color: #003153 !important;}” el_class=”go-ahead-7″ el_id=”trailer”][vc_column][vc_row_inner][vc_column_inner] \n \n \n \n \n \n \n <\/a>\n <\/div>\n \n TRAILER<\/a><\/h5>\n \n <\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n \n [\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row full_width=”stretch_row_content” css=”.vc_custom_1631529182716{padding-top: 3% !important;padding-bottom: 6% !important;background-color: #003153 !important;}” el_id=”quadern”][vc_column][vc_row_inner][vc_column_inner][vc_custom_heading heading_style=”heading_style_11″ text=”The Autotelic Notebook” font_container=”tag:h2|text_align:center|color:%23ffffff” use_theme_fonts=”yes” css=”.vc_custom_1631529237479{padding-top: 3% !important;padding-bottom: 3% !important;}”][vc_custom_heading heading_style=”sub_heading_style_2″ text=”Work in progress” font_container=”tag:h4|text_align:center|color:%23ffffff” use_theme_fonts=”yes” css=”.vc_custom_1631529307682{padding-bottom: 3% !important;}”][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner width=”1\/2″][vc_single_image image=”3656″ img_size=”large” alignment=”center”][\/vc_column_inner][vc_column_inner width=”1\/2″ css=”.vc_custom_1631265687700{padding-right: 30% !important;}”][vc_column_text]<\/p>\n
Premise<\/strong>\u00a0<\/span><\/p>\nThe most valuable certainty of our condition originates in contemplation.<\/span><\/p>\nThe film <\/span>Coneixen\u00e7a<\/span><\/i> (\u201cknowledge\u201d in Catalan) is contemplated with the creation of an online game, based on an interactive notebook called <\/span>El Quadern Autot\u00e8lic<\/span><\/i> (\u201cthe autotelic notebook\u201d). The notebook offers content through drawings, illustrations, texts, photographs, music and small video capsules. The user can participate by creating new pages with the incorporation of drawings, texts and photographs.<\/span>
\n<\/span>
\n<\/span>The plot reflects the construction of the creative process itself in formal terms, offering ideas and concepts mainly linked to nature, music and painting. The content is related to the five acts of the film <\/span>Coneixen\u00e7a:<\/span><\/i> search, discover, practice, relate and comprehend.\u00a0<\/span><\/p>\n[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row full_width=”stretch_row” css=”.vc_custom_1631024810767{padding-top: 8% !important;padding-bottom: 10% !important;background: #121212 url(https:\/\/www.movie-ments.cat\/coneixenca\/wp-content\/uploads\/2021\/09\/Faig2.jpg?id=3461) !important;background-position: center !important;background-repeat: no-repeat !important;background-size: cover !important;}” el_id=”credits”][vc_column][vc_row_inner][vc_column_inner][vc_custom_heading heading_style=”heading_style_11″ text=”Credits” font_container=”tag:h2|text_align:center” use_theme_fonts=”yes” css=”.vc_custom_1631270080581{padding-top: 3% !important;padding-bottom: 3% !important;}”][\/vc_column_inner][\/vc_row_inner][vc_row_inner css=”.vc_custom_1530603953052{padding-top: 8% !important;padding-bottom: 8% !important;}”][vc_column_inner]
\n \n\t\n\t\t\t \t interpreters<\/span>\n\t \t\t \t \n\t \t\t \t\tMARCO SALERNO, ANIOL PETIT, LAIA BOSCH\t \t\t\t \t<\/span>\n\t \t\t \t \t With the participation of<\/span>\n\t \t\t \t \n\t \t\t \t\tIRIS PETIT, GEN\u00cdS PETIT, GL\u00d2RIA CANTERO, JOSEP MARIA PETIT\t \t\t\t \t<\/span>\n\t \t\t \t \t Direction and writing<\/span>\n\t \t\t \t \n\t \t\t \t\tFRANCESC FONT\t \t\t\t \t<\/span>\n\t \t\t \t \t Production<\/span>\n\t \t\t \t \n\t \t\t \t\tMovie-ments\t \t\t\t \t<\/span>\n\t \t\t \t \t Original Music<\/span>\n\t \t\t \t \n\t \t\t \t\tMAGAM (Marta Vila i Vega Montero)\t \t\t\t \t<\/span>\n\t \t\t \t \t Musician performer<\/span>\n\t \t\t \t \n\t \t\t \t\tPACO VICIANA (Benedictus. Karl Jenkins)\t \t\t\t \t<\/span>\n\t \t\t \t \t Photography and camera<\/span>\n\t \t\t \t \n\t \t\t \t\tFRANCESC FONT\t\t \t\t\t \t<\/span>\n\t \t\t \t \t Postproduction<\/span>\n\t \t\t \t \n\t \t\t \t\tXAVIER P\u00c9REZ\t \t\t\t \t<\/span>\n\t \t\t \t \t Assembly and calibration<\/span>\n\t \t\t \t \n\t \t\t \t\tFRANCESC FONT\t \t\t\t \t<\/span>\n\t \t\t \t \t Voiceover off<\/span>\n\t \t\t \t \n\t \t\t \t\tANIOL PETIT\t \t\t\t \t<\/span>\n\t \t\t \t \t M\u00e0ster DCP<\/span>\n\t \t\t \t \n\t \t\t \t\tFROMZERO\t \t\t\t \t<\/span>\n\t \t\t \t \t Sound postproduction and mixes<\/span>\n\t \t\t \t \n\t \t\t \t\tLLU\u00cdS COSTA\t \t\t\t \t<\/span>\n\t \t\t \t \t Recording studio<\/span>\n\t \t\t \t \n\t \t\t \t\tSOUNDCLUB\t \t\t\t \t<\/span>\n\t \t\t \t \t graphic design poster<\/span>\n\t \t\t \t \n\t \t\t \t\tCAROLINA TR\u00c8BOL\t \t\t\t \t<\/span>\n\t \t\t \t \t TECHNICAL ADVICE<\/span>\n\t \t\t \t \n\t \t\t \t\tXAVIER P\u00c9REZ\t \t\t\t \t<\/span>\n\t \t\t \t \t Equipment coordination<\/span>\n\t \t\t \t \n\t \t\t \t\tERNEST FORTS \t \t\t\t \t<\/span>\n\t \t\t \t \t Slate sequence and Caravaggio Concept art:<\/span>\n\t \t\t \t \n\t \t\t \t\tJOSEP PLAJA, ADRIANA PUIGVERT - DRIN -\t \t\t\t \t<\/span>\n\t \t\t \t \t Assistant director<\/span>\n\t \t\t \t \n\t \t\t \t\tPAU RODR\u00cdGUEZ\t \t\t\t \t<\/span>\n\t \t\t \t \t Photography<\/span>\n\t \t\t \t \n\t \t\t \t\tDANIEL DE JOSE -DEJU-, MART\u00cd PLUMA \t \t\t\t \t<\/span>\n\t \t\t \t \t In collaboration with<\/span>\n\t \t\t \t \n\t \t\t \t\tEU ERAM - GRAU EN COMUNICACI\u00d3 AUDIOVISUAL I MULTIM\u00c8DIA\t \t\t\t \t<\/span>\n\t \t\t \t \t In collaboration with<\/span>\n\t \t\t \t \n\t \t\t \t\tRaffaele Pagani Fotografies\t \t\t\t \t<\/span>\n\t \t\t <\/div>\n<\/div> <\/div>\n [\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row full_width=”stretch_row” css=”.vc_custom_1614857321718{padding-top: 3% !important;padding-bottom: 3% !important;background-color: #003153 !important;}” el_id=”localitzacions”][vc_column][vc_row_inner][vc_column_inner][vc_custom_heading heading_style=”heading_style_11″ text=”Locations” font_container=”tag:h2|text_align:center” use_theme_fonts=”yes” css=”.vc_custom_1631270272348{padding-top: 3% !important;padding-bottom: 3% !important;}”][vc_column_text]<\/p>\nOne of this project\u2019s determining factors is the treatment of space. Certain workshop interiors are shown to emphasise space, regardless of the characters. To give space an independent role in the action, because a particular intimate time flows through space.<\/span><\/p>\nLocated in the northeast corner of Catalonia, we are home to one of the most important identifying elements of the territory, Alt Empord\u00e0, an area which stretches from the coastal landscape to the mountain, not to mention the urban landscape. This important identify-defining value of the county\u2019s landscape will frame the film\u2019s exterior scenes in a striking way.\u00a0<\/span><\/p>\nThe town of Ordis, home to the luthier’s workshop, lies nestled in a landscape which delves in through narrow paths until reaching the church, flanked by a luxurious cypress. A few barley sprigs are depicted on its shield, allusions to the town’s name and the centuries-old farming of its land.<\/span><\/p>\nThe learning sequence associated with the board unfolds inside the Chapel of Saint Lucy in Girona.\u00a0<\/span><\/p>\nThe different trees referenced are principally located in the landscape of the county of Pla de l\u2019Estany.\u00a0 The maple and willow in Banyoles, the boxwood in <\/span>Porqueres<\/span>, the cypress in Rav\u00f3s de Terri, the walnut tree in Vilamar\u00ed and the spruce in <\/span>Sant Miquel de Campmajor and the spruces of the town of Susqueda in Sant Mart\u00ed Sacalm.<\/span><\/p>\nAniol Petit\u2019s workshop is in the municipality of Sant Cebri\u00e0 de Vallalta, near the town of Sant Pol de Mar in the county of Maresme. A space located on the threshold of <\/span>
\n<\/span>Montnegre Corredor Natural Park with extensive formations of holly and cork oak groves.<\/span><\/p>\n[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row full_width=”stretch_row_content_no_spaces” css=”.vc_custom_1614853137681{padding-top: 3% !important;padding-bottom: 3% !important;background-color: #003153 !important;}”][vc_column][vc_row_inner][vc_column_inner] \n \n
\n \n \n \n \n \n \n - <\/i><\/a><\/li>\n <\/ul>\n <\/div>\n \n
\n Banyoles <\/h5>\n
\/ L\u2019aur\u00f3 i el salze<\/p>\n <\/div>\n <\/div>\n <\/div>\n
\n \n \n
\n 6.\u00a0The mobilisation of a skeleton crew for solo shooting.\u00a0\u00a0<\/a>\n <\/h4>\n <\/div>\n \n \n Due to the characteristics of the work, the activities must be developed with a small production team, and on many occasions, the author must perform the recording activity alone. Consequently, what may also condition the creation of a documentary essay is the fact of making do without the resources of conventional productions, so closely tied to limited calendars and concentrated work in specialised groups. <\/div>\n <\/div>\n <\/div>\n \n \n \n 7. The assiduity of the activities to discover the future plot.\u00a0<\/a>\n <\/h4>\n <\/div>\n \n \n The regularity and frequency of recording activities practically turn them into a daily event. The fluxes of life are intimately related to the artistic activity itself, because the expressive necessity is honest, and commitment is paramount. \n\nThe methodology of work requires filmings diversified in time which tend to go on for up to a couple of years. In order to begin the field work with the participation of the future collaborators and protagonists, a weekly filming schedule will be set. Thus, the exploration of reality can be embarked upon together. On another note, any commercial link with the protagonists is ruled out right from the start. <\/div>\n <\/div>\n <\/div>\n \n \n \n 8.\u00a0Activation of interplay with the protagonists when the action slows down.<\/a>\n <\/h4>\n <\/div>\n \n \n The only intentional thing we do is to use playfulness as a resource for activating interaction with a reality that tends to freeze itself parsimoniously. \nIn other words, the projection of fantasy appears as a suggestion through playing. The staging is enriched with action to complement the apparent reality of a certain poetics. <\/div>\n <\/div>\n <\/div>\n \n \n \n 9. The construction of meanings with the essence of the filmed event.\u00a0<\/a>\n <\/h4>\n <\/div>\n \n \n This work formula also makes it possible to access the editing material intermittently, which facilitates the detailed observation of other recorded elements and generates new conceptual challenges in the search for plot structures or expressive tools. <\/div>\n <\/div>\n <\/div>\n \n \n \n 10.\u00a0The interweaving of events and the emergence of allegories to reveal the world.<\/a>\n <\/h4>\n <\/div>\n \n \n Life occurs in multiple events which permanently alter the appearances of spatial and temporal reality. A discovery or stroke of luck stems from the interweaving of certain events into an emotional whole which may end up revealing its intimate meaning. \n\nTransformation and lived experience engender the shape of the final work. The completed creation shows a certain identifiable stamp, as can be reflected in the use of cohesive allegories in the representation of symbolic meanings. \n\nAll in all, we could assert that the definition of the documentary film genre is particularly characterised by the unique way in which the creative process is applied. <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n<\/div> <\/div>\n [\/vc_column_inner][vc_column_inner width=”1\/6″][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner width=”1\/6″][\/vc_column_inner][vc_column_inner width=”2\/3″][vc_custom_heading heading_style=”heading_style_11″ text=”PREMISE” font_container=”tag:h2|text_align:center|color:%23ffffff” use_theme_fonts=”yes” css=”.vc_custom_1631270004115{padding-top: 3% !important;padding-bottom: 3% !important;}”][vc_column_text]<\/p>\nWe aim to pursue the transformation of matter mainly by working with wood to build instruments in the luthier\u2019s workshop.<\/span> We want to emphasise the harmonic values of humans with nature. Human activity processing matter to transform it into vibration, vibrations inherent to the universe…\u00a0<\/span><\/p>\nThe word <\/span>matter<\/span><\/i> has, in its Greek and Latin origin, the meaning of wood, construction material, forest, jungle. The uniqueness of the word <\/span>luthier<\/span><\/i> is interesting; derived from <\/span>luth<\/span><\/i> (<\/span>lute<\/span><\/a>), the term really comes from the Arabic <\/span>al-`\u016bd<\/span><\/i> (lute), which means \u201cthe wood\u201d.<\/span><\/p>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/6″][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row full_width=”stretch_row_content” css=”.vc_custom_1614853107397{padding-bottom: 5% !important;background-color: #003153 !important;}” el_class=”go-ahead-7″][vc_column width=”5\/12″ css=”.vc_custom_1614852486021{background-image: url(https:\/\/www.movie-ments.cat\/coneixenca\/wp-content\/uploads\/2021\/03\/IMG_25212-1-scaled.jpg?id=3388) !important;background-position: center !important;background-repeat: no-repeat !important;background-size: cover !important;}”][vc_row_inner][vc_column_inner]
\n \n\t\n SYNOPSIS<\/div>\n A disciple learns, from the master luthier, the remarkable construction of some string instruments through observation and praxis. A journey in search of those chords capable of taking the human being out of itself.<\/div>\n <\/div>\n<\/div> <\/div>\n [\/vc_column_inner][\/vc_row_inner][\/vc_column][vc_column width=”7\/12″][vc_row_inner][vc_column_inner][vc_single_image image=”3654″ img_size=”large” alignment=”center”][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row full_width=”stretch_row” css=”.vc_custom_1614857307554{padding-bottom: 5% !important;background-color: #003153 !important;}” el_class=”go-ahead-7″ el_id=”trailer”][vc_column][vc_row_inner][vc_column_inner] \n \n \n \n \n \n \n <\/a>\n <\/div>\n \n TRAILER<\/a><\/h5>\n \n <\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n \n [\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row full_width=”stretch_row_content” css=”.vc_custom_1631529182716{padding-top: 3% !important;padding-bottom: 6% !important;background-color: #003153 !important;}” el_id=”quadern”][vc_column][vc_row_inner][vc_column_inner][vc_custom_heading heading_style=”heading_style_11″ text=”The Autotelic Notebook” font_container=”tag:h2|text_align:center|color:%23ffffff” use_theme_fonts=”yes” css=”.vc_custom_1631529237479{padding-top: 3% !important;padding-bottom: 3% !important;}”][vc_custom_heading heading_style=”sub_heading_style_2″ text=”Work in progress” font_container=”tag:h4|text_align:center|color:%23ffffff” use_theme_fonts=”yes” css=”.vc_custom_1631529307682{padding-bottom: 3% !important;}”][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner width=”1\/2″][vc_single_image image=”3656″ img_size=”large” alignment=”center”][\/vc_column_inner][vc_column_inner width=”1\/2″ css=”.vc_custom_1631265687700{padding-right: 30% !important;}”][vc_column_text]<\/p>\n
Premise<\/strong>\u00a0<\/span><\/p>\nThe most valuable certainty of our condition originates in contemplation.<\/span><\/p>\nThe film <\/span>Coneixen\u00e7a<\/span><\/i> (\u201cknowledge\u201d in Catalan) is contemplated with the creation of an online game, based on an interactive notebook called <\/span>El Quadern Autot\u00e8lic<\/span><\/i> (\u201cthe autotelic notebook\u201d). The notebook offers content through drawings, illustrations, texts, photographs, music and small video capsules. The user can participate by creating new pages with the incorporation of drawings, texts and photographs.<\/span>
\n<\/span>
\n<\/span>The plot reflects the construction of the creative process itself in formal terms, offering ideas and concepts mainly linked to nature, music and painting. The content is related to the five acts of the film <\/span>Coneixen\u00e7a:<\/span><\/i> search, discover, practice, relate and comprehend.\u00a0<\/span><\/p>\n[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row full_width=”stretch_row” css=”.vc_custom_1631024810767{padding-top: 8% !important;padding-bottom: 10% !important;background: #121212 url(https:\/\/www.movie-ments.cat\/coneixenca\/wp-content\/uploads\/2021\/09\/Faig2.jpg?id=3461) !important;background-position: center !important;background-repeat: no-repeat !important;background-size: cover !important;}” el_id=”credits”][vc_column][vc_row_inner][vc_column_inner][vc_custom_heading heading_style=”heading_style_11″ text=”Credits” font_container=”tag:h2|text_align:center” use_theme_fonts=”yes” css=”.vc_custom_1631270080581{padding-top: 3% !important;padding-bottom: 3% !important;}”][\/vc_column_inner][\/vc_row_inner][vc_row_inner css=”.vc_custom_1530603953052{padding-top: 8% !important;padding-bottom: 8% !important;}”][vc_column_inner]
\n \n\t\n\t\t\t \t interpreters<\/span>\n\t \t\t \t \n\t \t\t \t\tMARCO SALERNO, ANIOL PETIT, LAIA BOSCH\t \t\t\t \t<\/span>\n\t \t\t \t \t With the participation of<\/span>\n\t \t\t \t \n\t \t\t \t\tIRIS PETIT, GEN\u00cdS PETIT, GL\u00d2RIA CANTERO, JOSEP MARIA PETIT\t \t\t\t \t<\/span>\n\t \t\t \t \t Direction and writing<\/span>\n\t \t\t \t \n\t \t\t \t\tFRANCESC FONT\t \t\t\t \t<\/span>\n\t \t\t \t \t Production<\/span>\n\t \t\t \t \n\t \t\t \t\tMovie-ments\t \t\t\t \t<\/span>\n\t \t\t \t \t Original Music<\/span>\n\t \t\t \t \n\t \t\t \t\tMAGAM (Marta Vila i Vega Montero)\t \t\t\t \t<\/span>\n\t \t\t \t \t Musician performer<\/span>\n\t \t\t \t \n\t \t\t \t\tPACO VICIANA (Benedictus. Karl Jenkins)\t \t\t\t \t<\/span>\n\t \t\t \t \t Photography and camera<\/span>\n\t \t\t \t \n\t \t\t \t\tFRANCESC FONT\t\t \t\t\t \t<\/span>\n\t \t\t \t \t Postproduction<\/span>\n\t \t\t \t \n\t \t\t \t\tXAVIER P\u00c9REZ\t \t\t\t \t<\/span>\n\t \t\t \t \t Assembly and calibration<\/span>\n\t \t\t \t \n\t \t\t \t\tFRANCESC FONT\t \t\t\t \t<\/span>\n\t \t\t \t \t Voiceover off<\/span>\n\t \t\t \t \n\t \t\t \t\tANIOL PETIT\t \t\t\t \t<\/span>\n\t \t\t \t \t M\u00e0ster DCP<\/span>\n\t \t\t \t \n\t \t\t \t\tFROMZERO\t \t\t\t \t<\/span>\n\t \t\t \t \t Sound postproduction and mixes<\/span>\n\t \t\t \t \n\t \t\t \t\tLLU\u00cdS COSTA\t \t\t\t \t<\/span>\n\t \t\t \t \t Recording studio<\/span>\n\t \t\t \t \n\t \t\t \t\tSOUNDCLUB\t \t\t\t \t<\/span>\n\t \t\t \t \t graphic design poster<\/span>\n\t \t\t \t \n\t \t\t \t\tCAROLINA TR\u00c8BOL\t \t\t\t \t<\/span>\n\t \t\t \t \t TECHNICAL ADVICE<\/span>\n\t \t\t \t \n\t \t\t \t\tXAVIER P\u00c9REZ\t \t\t\t \t<\/span>\n\t \t\t \t \t Equipment coordination<\/span>\n\t \t\t \t \n\t \t\t \t\tERNEST FORTS \t \t\t\t \t<\/span>\n\t \t\t \t \t Slate sequence and Caravaggio Concept art:<\/span>\n\t \t\t \t \n\t \t\t \t\tJOSEP PLAJA, ADRIANA PUIGVERT - DRIN -\t \t\t\t \t<\/span>\n\t \t\t \t \t Assistant director<\/span>\n\t \t\t \t \n\t \t\t \t\tPAU RODR\u00cdGUEZ\t \t\t\t \t<\/span>\n\t \t\t \t \t Photography<\/span>\n\t \t\t \t \n\t \t\t \t\tDANIEL DE JOSE -DEJU-, MART\u00cd PLUMA \t \t\t\t \t<\/span>\n\t \t\t \t \t In collaboration with<\/span>\n\t \t\t \t \n\t \t\t \t\tEU ERAM - GRAU EN COMUNICACI\u00d3 AUDIOVISUAL I MULTIM\u00c8DIA\t \t\t\t \t<\/span>\n\t \t\t \t \t In collaboration with<\/span>\n\t \t\t \t \n\t \t\t \t\tRaffaele Pagani Fotografies\t \t\t\t \t<\/span>\n\t \t\t <\/div>\n<\/div> <\/div>\n [\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row full_width=”stretch_row” css=”.vc_custom_1614857321718{padding-top: 3% !important;padding-bottom: 3% !important;background-color: #003153 !important;}” el_id=”localitzacions”][vc_column][vc_row_inner][vc_column_inner][vc_custom_heading heading_style=”heading_style_11″ text=”Locations” font_container=”tag:h2|text_align:center” use_theme_fonts=”yes” css=”.vc_custom_1631270272348{padding-top: 3% !important;padding-bottom: 3% !important;}”][vc_column_text]<\/p>\nOne of this project\u2019s determining factors is the treatment of space. Certain workshop interiors are shown to emphasise space, regardless of the characters. To give space an independent role in the action, because a particular intimate time flows through space.<\/span><\/p>\nLocated in the northeast corner of Catalonia, we are home to one of the most important identifying elements of the territory, Alt Empord\u00e0, an area which stretches from the coastal landscape to the mountain, not to mention the urban landscape. This important identify-defining value of the county\u2019s landscape will frame the film\u2019s exterior scenes in a striking way.\u00a0<\/span><\/p>\nThe town of Ordis, home to the luthier’s workshop, lies nestled in a landscape which delves in through narrow paths until reaching the church, flanked by a luxurious cypress. A few barley sprigs are depicted on its shield, allusions to the town’s name and the centuries-old farming of its land.<\/span><\/p>\nThe learning sequence associated with the board unfolds inside the Chapel of Saint Lucy in Girona.\u00a0<\/span><\/p>\nThe different trees referenced are principally located in the landscape of the county of Pla de l\u2019Estany.\u00a0 The maple and willow in Banyoles, the boxwood in <\/span>Porqueres<\/span>, the cypress in Rav\u00f3s de Terri, the walnut tree in Vilamar\u00ed and the spruce in <\/span>Sant Miquel de Campmajor and the spruces of the town of Susqueda in Sant Mart\u00ed Sacalm.<\/span><\/p>\nAniol Petit\u2019s workshop is in the municipality of Sant Cebri\u00e0 de Vallalta, near the town of Sant Pol de Mar in the county of Maresme. A space located on the threshold of <\/span>
\n<\/span>Montnegre Corredor Natural Park with extensive formations of holly and cork oak groves.<\/span><\/p>\n[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row full_width=”stretch_row_content_no_spaces” css=”.vc_custom_1614853137681{padding-top: 3% !important;padding-bottom: 3% !important;background-color: #003153 !important;}”][vc_column][vc_row_inner][vc_column_inner] \n \n
\n \n \n \n \n \n \n - <\/i><\/a><\/li>\n <\/ul>\n <\/div>\n \n
\n Banyoles <\/h5>\n
\/ L\u2019aur\u00f3 i el salze<\/p>\n <\/div>\n <\/div>\n <\/div>\n
\n \n \n
\n 7. The assiduity of the activities to discover the future plot.\u00a0<\/a>\n <\/h4>\n <\/div>\n \n \n The regularity and frequency of recording activities practically turn them into a daily event. The fluxes of life are intimately related to the artistic activity itself, because the expressive necessity is honest, and commitment is paramount. \n\nThe methodology of work requires filmings diversified in time which tend to go on for up to a couple of years. In order to begin the field work with the participation of the future collaborators and protagonists, a weekly filming schedule will be set. Thus, the exploration of reality can be embarked upon together. On another note, any commercial link with the protagonists is ruled out right from the start. <\/div>\n <\/div>\n <\/div>\n \n \n \n 8.\u00a0Activation of interplay with the protagonists when the action slows down.<\/a>\n <\/h4>\n <\/div>\n \n \n The only intentional thing we do is to use playfulness as a resource for activating interaction with a reality that tends to freeze itself parsimoniously. \nIn other words, the projection of fantasy appears as a suggestion through playing. The staging is enriched with action to complement the apparent reality of a certain poetics. <\/div>\n <\/div>\n <\/div>\n \n \n \n 9. The construction of meanings with the essence of the filmed event.\u00a0<\/a>\n <\/h4>\n <\/div>\n \n \n This work formula also makes it possible to access the editing material intermittently, which facilitates the detailed observation of other recorded elements and generates new conceptual challenges in the search for plot structures or expressive tools. <\/div>\n <\/div>\n <\/div>\n \n \n \n 10.\u00a0The interweaving of events and the emergence of allegories to reveal the world.<\/a>\n <\/h4>\n <\/div>\n \n \n Life occurs in multiple events which permanently alter the appearances of spatial and temporal reality. A discovery or stroke of luck stems from the interweaving of certain events into an emotional whole which may end up revealing its intimate meaning. \n\nTransformation and lived experience engender the shape of the final work. The completed creation shows a certain identifiable stamp, as can be reflected in the use of cohesive allegories in the representation of symbolic meanings. \n\nAll in all, we could assert that the definition of the documentary film genre is particularly characterised by the unique way in which the creative process is applied. <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n<\/div> <\/div>\n [\/vc_column_inner][vc_column_inner width=”1\/6″][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner width=”1\/6″][\/vc_column_inner][vc_column_inner width=”2\/3″][vc_custom_heading heading_style=”heading_style_11″ text=”PREMISE” font_container=”tag:h2|text_align:center|color:%23ffffff” use_theme_fonts=”yes” css=”.vc_custom_1631270004115{padding-top: 3% !important;padding-bottom: 3% !important;}”][vc_column_text]<\/p>\nWe aim to pursue the transformation of matter mainly by working with wood to build instruments in the luthier\u2019s workshop.<\/span> We want to emphasise the harmonic values of humans with nature. Human activity processing matter to transform it into vibration, vibrations inherent to the universe…\u00a0<\/span><\/p>\nThe word <\/span>matter<\/span><\/i> has, in its Greek and Latin origin, the meaning of wood, construction material, forest, jungle. The uniqueness of the word <\/span>luthier<\/span><\/i> is interesting; derived from <\/span>luth<\/span><\/i> (<\/span>lute<\/span><\/a>), the term really comes from the Arabic <\/span>al-`\u016bd<\/span><\/i> (lute), which means \u201cthe wood\u201d.<\/span><\/p>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/6″][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row full_width=”stretch_row_content” css=”.vc_custom_1614853107397{padding-bottom: 5% !important;background-color: #003153 !important;}” el_class=”go-ahead-7″][vc_column width=”5\/12″ css=”.vc_custom_1614852486021{background-image: url(https:\/\/www.movie-ments.cat\/coneixenca\/wp-content\/uploads\/2021\/03\/IMG_25212-1-scaled.jpg?id=3388) !important;background-position: center !important;background-repeat: no-repeat !important;background-size: cover !important;}”][vc_row_inner][vc_column_inner]
\n \n\t\n SYNOPSIS<\/div>\n A disciple learns, from the master luthier, the remarkable construction of some string instruments through observation and praxis. A journey in search of those chords capable of taking the human being out of itself.<\/div>\n <\/div>\n<\/div> <\/div>\n [\/vc_column_inner][\/vc_row_inner][\/vc_column][vc_column width=”7\/12″][vc_row_inner][vc_column_inner][vc_single_image image=”3654″ img_size=”large” alignment=”center”][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row full_width=”stretch_row” css=”.vc_custom_1614857307554{padding-bottom: 5% !important;background-color: #003153 !important;}” el_class=”go-ahead-7″ el_id=”trailer”][vc_column][vc_row_inner][vc_column_inner] \n \n \n \n \n \n \n <\/a>\n <\/div>\n \n TRAILER<\/a><\/h5>\n \n <\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n \n [\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row full_width=”stretch_row_content” css=”.vc_custom_1631529182716{padding-top: 3% !important;padding-bottom: 6% !important;background-color: #003153 !important;}” el_id=”quadern”][vc_column][vc_row_inner][vc_column_inner][vc_custom_heading heading_style=”heading_style_11″ text=”The Autotelic Notebook” font_container=”tag:h2|text_align:center|color:%23ffffff” use_theme_fonts=”yes” css=”.vc_custom_1631529237479{padding-top: 3% !important;padding-bottom: 3% !important;}”][vc_custom_heading heading_style=”sub_heading_style_2″ text=”Work in progress” font_container=”tag:h4|text_align:center|color:%23ffffff” use_theme_fonts=”yes” css=”.vc_custom_1631529307682{padding-bottom: 3% !important;}”][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner width=”1\/2″][vc_single_image image=”3656″ img_size=”large” alignment=”center”][\/vc_column_inner][vc_column_inner width=”1\/2″ css=”.vc_custom_1631265687700{padding-right: 30% !important;}”][vc_column_text]<\/p>\n
Premise<\/strong>\u00a0<\/span><\/p>\nThe most valuable certainty of our condition originates in contemplation.<\/span><\/p>\nThe film <\/span>Coneixen\u00e7a<\/span><\/i> (\u201cknowledge\u201d in Catalan) is contemplated with the creation of an online game, based on an interactive notebook called <\/span>El Quadern Autot\u00e8lic<\/span><\/i> (\u201cthe autotelic notebook\u201d). The notebook offers content through drawings, illustrations, texts, photographs, music and small video capsules. The user can participate by creating new pages with the incorporation of drawings, texts and photographs.<\/span>
\n<\/span>
\n<\/span>The plot reflects the construction of the creative process itself in formal terms, offering ideas and concepts mainly linked to nature, music and painting. The content is related to the five acts of the film <\/span>Coneixen\u00e7a:<\/span><\/i> search, discover, practice, relate and comprehend.\u00a0<\/span><\/p>\n[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row full_width=”stretch_row” css=”.vc_custom_1631024810767{padding-top: 8% !important;padding-bottom: 10% !important;background: #121212 url(https:\/\/www.movie-ments.cat\/coneixenca\/wp-content\/uploads\/2021\/09\/Faig2.jpg?id=3461) !important;background-position: center !important;background-repeat: no-repeat !important;background-size: cover !important;}” el_id=”credits”][vc_column][vc_row_inner][vc_column_inner][vc_custom_heading heading_style=”heading_style_11″ text=”Credits” font_container=”tag:h2|text_align:center” use_theme_fonts=”yes” css=”.vc_custom_1631270080581{padding-top: 3% !important;padding-bottom: 3% !important;}”][\/vc_column_inner][\/vc_row_inner][vc_row_inner css=”.vc_custom_1530603953052{padding-top: 8% !important;padding-bottom: 8% !important;}”][vc_column_inner]
\n \n\t\n\t\t\t \t interpreters<\/span>\n\t \t\t \t \n\t \t\t \t\tMARCO SALERNO, ANIOL PETIT, LAIA BOSCH\t \t\t\t \t<\/span>\n\t \t\t \t \t With the participation of<\/span>\n\t \t\t \t \n\t \t\t \t\tIRIS PETIT, GEN\u00cdS PETIT, GL\u00d2RIA CANTERO, JOSEP MARIA PETIT\t \t\t\t \t<\/span>\n\t \t\t \t \t Direction and writing<\/span>\n\t \t\t \t \n\t \t\t \t\tFRANCESC FONT\t \t\t\t \t<\/span>\n\t \t\t \t \t Production<\/span>\n\t \t\t \t \n\t \t\t \t\tMovie-ments\t \t\t\t \t<\/span>\n\t \t\t \t \t Original Music<\/span>\n\t \t\t \t \n\t \t\t \t\tMAGAM (Marta Vila i Vega Montero)\t \t\t\t \t<\/span>\n\t \t\t \t \t Musician performer<\/span>\n\t \t\t \t \n\t \t\t \t\tPACO VICIANA (Benedictus. Karl Jenkins)\t \t\t\t \t<\/span>\n\t \t\t \t \t Photography and camera<\/span>\n\t \t\t \t \n\t \t\t \t\tFRANCESC FONT\t\t \t\t\t \t<\/span>\n\t \t\t \t \t Postproduction<\/span>\n\t \t\t \t \n\t \t\t \t\tXAVIER P\u00c9REZ\t \t\t\t \t<\/span>\n\t \t\t \t \t Assembly and calibration<\/span>\n\t \t\t \t \n\t \t\t \t\tFRANCESC FONT\t \t\t\t \t<\/span>\n\t \t\t \t \t Voiceover off<\/span>\n\t \t\t \t \n\t \t\t \t\tANIOL PETIT\t \t\t\t \t<\/span>\n\t \t\t \t \t M\u00e0ster DCP<\/span>\n\t \t\t \t \n\t \t\t \t\tFROMZERO\t \t\t\t \t<\/span>\n\t \t\t \t \t Sound postproduction and mixes<\/span>\n\t \t\t \t \n\t \t\t \t\tLLU\u00cdS COSTA\t \t\t\t \t<\/span>\n\t \t\t \t \t Recording studio<\/span>\n\t \t\t \t \n\t \t\t \t\tSOUNDCLUB\t \t\t\t \t<\/span>\n\t \t\t \t \t graphic design poster<\/span>\n\t \t\t \t \n\t \t\t \t\tCAROLINA TR\u00c8BOL\t \t\t\t \t<\/span>\n\t \t\t \t \t TECHNICAL ADVICE<\/span>\n\t \t\t \t \n\t \t\t \t\tXAVIER P\u00c9REZ\t \t\t\t \t<\/span>\n\t \t\t \t \t Equipment coordination<\/span>\n\t \t\t \t \n\t \t\t \t\tERNEST FORTS \t \t\t\t \t<\/span>\n\t \t\t \t \t Slate sequence and Caravaggio Concept art:<\/span>\n\t \t\t \t \n\t \t\t \t\tJOSEP PLAJA, ADRIANA PUIGVERT - DRIN -\t \t\t\t \t<\/span>\n\t \t\t \t \t Assistant director<\/span>\n\t \t\t \t \n\t \t\t \t\tPAU RODR\u00cdGUEZ\t \t\t\t \t<\/span>\n\t \t\t \t \t Photography<\/span>\n\t \t\t \t \n\t \t\t \t\tDANIEL DE JOSE -DEJU-, MART\u00cd PLUMA \t \t\t\t \t<\/span>\n\t \t\t \t \t In collaboration with<\/span>\n\t \t\t \t \n\t \t\t \t\tEU ERAM - GRAU EN COMUNICACI\u00d3 AUDIOVISUAL I MULTIM\u00c8DIA\t \t\t\t \t<\/span>\n\t \t\t \t \t In collaboration with<\/span>\n\t \t\t \t \n\t \t\t \t\tRaffaele Pagani Fotografies\t \t\t\t \t<\/span>\n\t \t\t <\/div>\n<\/div> <\/div>\n [\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row full_width=”stretch_row” css=”.vc_custom_1614857321718{padding-top: 3% !important;padding-bottom: 3% !important;background-color: #003153 !important;}” el_id=”localitzacions”][vc_column][vc_row_inner][vc_column_inner][vc_custom_heading heading_style=”heading_style_11″ text=”Locations” font_container=”tag:h2|text_align:center” use_theme_fonts=”yes” css=”.vc_custom_1631270272348{padding-top: 3% !important;padding-bottom: 3% !important;}”][vc_column_text]<\/p>\nOne of this project\u2019s determining factors is the treatment of space. Certain workshop interiors are shown to emphasise space, regardless of the characters. To give space an independent role in the action, because a particular intimate time flows through space.<\/span><\/p>\nLocated in the northeast corner of Catalonia, we are home to one of the most important identifying elements of the territory, Alt Empord\u00e0, an area which stretches from the coastal landscape to the mountain, not to mention the urban landscape. This important identify-defining value of the county\u2019s landscape will frame the film\u2019s exterior scenes in a striking way.\u00a0<\/span><\/p>\nThe town of Ordis, home to the luthier’s workshop, lies nestled in a landscape which delves in through narrow paths until reaching the church, flanked by a luxurious cypress. A few barley sprigs are depicted on its shield, allusions to the town’s name and the centuries-old farming of its land.<\/span><\/p>\nThe learning sequence associated with the board unfolds inside the Chapel of Saint Lucy in Girona.\u00a0<\/span><\/p>\nThe different trees referenced are principally located in the landscape of the county of Pla de l\u2019Estany.\u00a0 The maple and willow in Banyoles, the boxwood in <\/span>Porqueres<\/span>, the cypress in Rav\u00f3s de Terri, the walnut tree in Vilamar\u00ed and the spruce in <\/span>Sant Miquel de Campmajor and the spruces of the town of Susqueda in Sant Mart\u00ed Sacalm.<\/span><\/p>\nAniol Petit\u2019s workshop is in the municipality of Sant Cebri\u00e0 de Vallalta, near the town of Sant Pol de Mar in the county of Maresme. A space located on the threshold of <\/span>
\n<\/span>Montnegre Corredor Natural Park with extensive formations of holly and cork oak groves.<\/span><\/p>\n[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row full_width=”stretch_row_content_no_spaces” css=”.vc_custom_1614853137681{padding-top: 3% !important;padding-bottom: 3% !important;background-color: #003153 !important;}”][vc_column][vc_row_inner][vc_column_inner] \n \n
\n \n \n \n \n \n \n - <\/i><\/a><\/li>\n <\/ul>\n <\/div>\n \n
\n Banyoles <\/h5>\n
\/ L\u2019aur\u00f3 i el salze<\/p>\n <\/div>\n <\/div>\n <\/div>\n
\n \n \n
\n 8.\u00a0Activation of interplay with the protagonists when the action slows down.<\/a>\n <\/h4>\n <\/div>\n \n \n The only intentional thing we do is to use playfulness as a resource for activating interaction with a reality that tends to freeze itself parsimoniously. \nIn other words, the projection of fantasy appears as a suggestion through playing. The staging is enriched with action to complement the apparent reality of a certain poetics. <\/div>\n <\/div>\n <\/div>\n \n \n \n 9. The construction of meanings with the essence of the filmed event.\u00a0<\/a>\n <\/h4>\n <\/div>\n \n \n This work formula also makes it possible to access the editing material intermittently, which facilitates the detailed observation of other recorded elements and generates new conceptual challenges in the search for plot structures or expressive tools. <\/div>\n <\/div>\n <\/div>\n \n \n \n 10.\u00a0The interweaving of events and the emergence of allegories to reveal the world.<\/a>\n <\/h4>\n <\/div>\n \n \n Life occurs in multiple events which permanently alter the appearances of spatial and temporal reality. A discovery or stroke of luck stems from the interweaving of certain events into an emotional whole which may end up revealing its intimate meaning. \n\nTransformation and lived experience engender the shape of the final work. The completed creation shows a certain identifiable stamp, as can be reflected in the use of cohesive allegories in the representation of symbolic meanings. \n\nAll in all, we could assert that the definition of the documentary film genre is particularly characterised by the unique way in which the creative process is applied. <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n<\/div> <\/div>\n [\/vc_column_inner][vc_column_inner width=”1\/6″][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner width=”1\/6″][\/vc_column_inner][vc_column_inner width=”2\/3″][vc_custom_heading heading_style=”heading_style_11″ text=”PREMISE” font_container=”tag:h2|text_align:center|color:%23ffffff” use_theme_fonts=”yes” css=”.vc_custom_1631270004115{padding-top: 3% !important;padding-bottom: 3% !important;}”][vc_column_text]<\/p>\nWe aim to pursue the transformation of matter mainly by working with wood to build instruments in the luthier\u2019s workshop.<\/span> We want to emphasise the harmonic values of humans with nature. Human activity processing matter to transform it into vibration, vibrations inherent to the universe…\u00a0<\/span><\/p>\nThe word <\/span>matter<\/span><\/i> has, in its Greek and Latin origin, the meaning of wood, construction material, forest, jungle. The uniqueness of the word <\/span>luthier<\/span><\/i> is interesting; derived from <\/span>luth<\/span><\/i> (<\/span>lute<\/span><\/a>), the term really comes from the Arabic <\/span>al-`\u016bd<\/span><\/i> (lute), which means \u201cthe wood\u201d.<\/span><\/p>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/6″][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row full_width=”stretch_row_content” css=”.vc_custom_1614853107397{padding-bottom: 5% !important;background-color: #003153 !important;}” el_class=”go-ahead-7″][vc_column width=”5\/12″ css=”.vc_custom_1614852486021{background-image: url(https:\/\/www.movie-ments.cat\/coneixenca\/wp-content\/uploads\/2021\/03\/IMG_25212-1-scaled.jpg?id=3388) !important;background-position: center !important;background-repeat: no-repeat !important;background-size: cover !important;}”][vc_row_inner][vc_column_inner]
\n \n\t\n SYNOPSIS<\/div>\n A disciple learns, from the master luthier, the remarkable construction of some string instruments through observation and praxis. A journey in search of those chords capable of taking the human being out of itself.<\/div>\n <\/div>\n<\/div> <\/div>\n [\/vc_column_inner][\/vc_row_inner][\/vc_column][vc_column width=”7\/12″][vc_row_inner][vc_column_inner][vc_single_image image=”3654″ img_size=”large” alignment=”center”][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row full_width=”stretch_row” css=”.vc_custom_1614857307554{padding-bottom: 5% !important;background-color: #003153 !important;}” el_class=”go-ahead-7″ el_id=”trailer”][vc_column][vc_row_inner][vc_column_inner] \n \n \n \n \n \n \n <\/a>\n <\/div>\n \n TRAILER<\/a><\/h5>\n \n <\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n \n [\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row full_width=”stretch_row_content” css=”.vc_custom_1631529182716{padding-top: 3% !important;padding-bottom: 6% !important;background-color: #003153 !important;}” el_id=”quadern”][vc_column][vc_row_inner][vc_column_inner][vc_custom_heading heading_style=”heading_style_11″ text=”The Autotelic Notebook” font_container=”tag:h2|text_align:center|color:%23ffffff” use_theme_fonts=”yes” css=”.vc_custom_1631529237479{padding-top: 3% !important;padding-bottom: 3% !important;}”][vc_custom_heading heading_style=”sub_heading_style_2″ text=”Work in progress” font_container=”tag:h4|text_align:center|color:%23ffffff” use_theme_fonts=”yes” css=”.vc_custom_1631529307682{padding-bottom: 3% !important;}”][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner width=”1\/2″][vc_single_image image=”3656″ img_size=”large” alignment=”center”][\/vc_column_inner][vc_column_inner width=”1\/2″ css=”.vc_custom_1631265687700{padding-right: 30% !important;}”][vc_column_text]<\/p>\n
Premise<\/strong>\u00a0<\/span><\/p>\nThe most valuable certainty of our condition originates in contemplation.<\/span><\/p>\nThe film <\/span>Coneixen\u00e7a<\/span><\/i> (\u201cknowledge\u201d in Catalan) is contemplated with the creation of an online game, based on an interactive notebook called <\/span>El Quadern Autot\u00e8lic<\/span><\/i> (\u201cthe autotelic notebook\u201d). The notebook offers content through drawings, illustrations, texts, photographs, music and small video capsules. The user can participate by creating new pages with the incorporation of drawings, texts and photographs.<\/span>
\n<\/span>
\n<\/span>The plot reflects the construction of the creative process itself in formal terms, offering ideas and concepts mainly linked to nature, music and painting. The content is related to the five acts of the film <\/span>Coneixen\u00e7a:<\/span><\/i> search, discover, practice, relate and comprehend.\u00a0<\/span><\/p>\n[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row full_width=”stretch_row” css=”.vc_custom_1631024810767{padding-top: 8% !important;padding-bottom: 10% !important;background: #121212 url(https:\/\/www.movie-ments.cat\/coneixenca\/wp-content\/uploads\/2021\/09\/Faig2.jpg?id=3461) !important;background-position: center !important;background-repeat: no-repeat !important;background-size: cover !important;}” el_id=”credits”][vc_column][vc_row_inner][vc_column_inner][vc_custom_heading heading_style=”heading_style_11″ text=”Credits” font_container=”tag:h2|text_align:center” use_theme_fonts=”yes” css=”.vc_custom_1631270080581{padding-top: 3% !important;padding-bottom: 3% !important;}”][\/vc_column_inner][\/vc_row_inner][vc_row_inner css=”.vc_custom_1530603953052{padding-top: 8% !important;padding-bottom: 8% !important;}”][vc_column_inner]
\n \n\t\n\t\t\t \t interpreters<\/span>\n\t \t\t \t \n\t \t\t \t\tMARCO SALERNO, ANIOL PETIT, LAIA BOSCH\t \t\t\t \t<\/span>\n\t \t\t \t \t With the participation of<\/span>\n\t \t\t \t \n\t \t\t \t\tIRIS PETIT, GEN\u00cdS PETIT, GL\u00d2RIA CANTERO, JOSEP MARIA PETIT\t \t\t\t \t<\/span>\n\t \t\t \t \t Direction and writing<\/span>\n\t \t\t \t \n\t \t\t \t\tFRANCESC FONT\t \t\t\t \t<\/span>\n\t \t\t \t \t Production<\/span>\n\t \t\t \t \n\t \t\t \t\tMovie-ments\t \t\t\t \t<\/span>\n\t \t\t \t \t Original Music<\/span>\n\t \t\t \t \n\t \t\t \t\tMAGAM (Marta Vila i Vega Montero)\t \t\t\t \t<\/span>\n\t \t\t \t \t Musician performer<\/span>\n\t \t\t \t \n\t \t\t \t\tPACO VICIANA (Benedictus. Karl Jenkins)\t \t\t\t \t<\/span>\n\t \t\t \t \t Photography and camera<\/span>\n\t \t\t \t \n\t \t\t \t\tFRANCESC FONT\t\t \t\t\t \t<\/span>\n\t \t\t \t \t Postproduction<\/span>\n\t \t\t \t \n\t \t\t \t\tXAVIER P\u00c9REZ\t \t\t\t \t<\/span>\n\t \t\t \t \t Assembly and calibration<\/span>\n\t \t\t \t \n\t \t\t \t\tFRANCESC FONT\t \t\t\t \t<\/span>\n\t \t\t \t \t Voiceover off<\/span>\n\t \t\t \t \n\t \t\t \t\tANIOL PETIT\t \t\t\t \t<\/span>\n\t \t\t \t \t M\u00e0ster DCP<\/span>\n\t \t\t \t \n\t \t\t \t\tFROMZERO\t \t\t\t \t<\/span>\n\t \t\t \t \t Sound postproduction and mixes<\/span>\n\t \t\t \t \n\t \t\t \t\tLLU\u00cdS COSTA\t \t\t\t \t<\/span>\n\t \t\t \t \t Recording studio<\/span>\n\t \t\t \t \n\t \t\t \t\tSOUNDCLUB\t \t\t\t \t<\/span>\n\t \t\t \t \t graphic design poster<\/span>\n\t \t\t \t \n\t \t\t \t\tCAROLINA TR\u00c8BOL\t \t\t\t \t<\/span>\n\t \t\t \t \t TECHNICAL ADVICE<\/span>\n\t \t\t \t \n\t \t\t \t\tXAVIER P\u00c9REZ\t \t\t\t \t<\/span>\n\t \t\t \t \t Equipment coordination<\/span>\n\t \t\t \t \n\t \t\t \t\tERNEST FORTS \t \t\t\t \t<\/span>\n\t \t\t \t \t Slate sequence and Caravaggio Concept art:<\/span>\n\t \t\t \t \n\t \t\t \t\tJOSEP PLAJA, ADRIANA PUIGVERT - DRIN -\t \t\t\t \t<\/span>\n\t \t\t \t \t Assistant director<\/span>\n\t \t\t \t \n\t \t\t \t\tPAU RODR\u00cdGUEZ\t \t\t\t \t<\/span>\n\t \t\t \t \t Photography<\/span>\n\t \t\t \t \n\t \t\t \t\tDANIEL DE JOSE -DEJU-, MART\u00cd PLUMA \t \t\t\t \t<\/span>\n\t \t\t \t \t In collaboration with<\/span>\n\t \t\t \t \n\t \t\t \t\tEU ERAM - GRAU EN COMUNICACI\u00d3 AUDIOVISUAL I MULTIM\u00c8DIA\t \t\t\t \t<\/span>\n\t \t\t \t \t In collaboration with<\/span>\n\t \t\t \t \n\t \t\t \t\tRaffaele Pagani Fotografies\t \t\t\t \t<\/span>\n\t \t\t <\/div>\n<\/div> <\/div>\n [\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row full_width=”stretch_row” css=”.vc_custom_1614857321718{padding-top: 3% !important;padding-bottom: 3% !important;background-color: #003153 !important;}” el_id=”localitzacions”][vc_column][vc_row_inner][vc_column_inner][vc_custom_heading heading_style=”heading_style_11″ text=”Locations” font_container=”tag:h2|text_align:center” use_theme_fonts=”yes” css=”.vc_custom_1631270272348{padding-top: 3% !important;padding-bottom: 3% !important;}”][vc_column_text]<\/p>\nOne of this project\u2019s determining factors is the treatment of space. Certain workshop interiors are shown to emphasise space, regardless of the characters. To give space an independent role in the action, because a particular intimate time flows through space.<\/span><\/p>\nLocated in the northeast corner of Catalonia, we are home to one of the most important identifying elements of the territory, Alt Empord\u00e0, an area which stretches from the coastal landscape to the mountain, not to mention the urban landscape. This important identify-defining value of the county\u2019s landscape will frame the film\u2019s exterior scenes in a striking way.\u00a0<\/span><\/p>\nThe town of Ordis, home to the luthier’s workshop, lies nestled in a landscape which delves in through narrow paths until reaching the church, flanked by a luxurious cypress. A few barley sprigs are depicted on its shield, allusions to the town’s name and the centuries-old farming of its land.<\/span><\/p>\nThe learning sequence associated with the board unfolds inside the Chapel of Saint Lucy in Girona.\u00a0<\/span><\/p>\nThe different trees referenced are principally located in the landscape of the county of Pla de l\u2019Estany.\u00a0 The maple and willow in Banyoles, the boxwood in <\/span>Porqueres<\/span>, the cypress in Rav\u00f3s de Terri, the walnut tree in Vilamar\u00ed and the spruce in <\/span>Sant Miquel de Campmajor and the spruces of the town of Susqueda in Sant Mart\u00ed Sacalm.<\/span><\/p>\nAniol Petit\u2019s workshop is in the municipality of Sant Cebri\u00e0 de Vallalta, near the town of Sant Pol de Mar in the county of Maresme. A space located on the threshold of <\/span>
\n<\/span>Montnegre Corredor Natural Park with extensive formations of holly and cork oak groves.<\/span><\/p>\n[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row full_width=”stretch_row_content_no_spaces” css=”.vc_custom_1614853137681{padding-top: 3% !important;padding-bottom: 3% !important;background-color: #003153 !important;}”][vc_column][vc_row_inner][vc_column_inner] \n \n
\n \n \n \n \n \n \n - <\/i><\/a><\/li>\n <\/ul>\n <\/div>\n \n
\n Banyoles <\/h5>\n
\/ L\u2019aur\u00f3 i el salze<\/p>\n <\/div>\n <\/div>\n <\/div>\n
\n \n \n
\n 9. The construction of meanings with the essence of the filmed event.\u00a0<\/a>\n <\/h4>\n <\/div>\n \n \n This work formula also makes it possible to access the editing material intermittently, which facilitates the detailed observation of other recorded elements and generates new conceptual challenges in the search for plot structures or expressive tools. <\/div>\n <\/div>\n <\/div>\n \n \n \n 10.\u00a0The interweaving of events and the emergence of allegories to reveal the world.<\/a>\n <\/h4>\n <\/div>\n \n \n Life occurs in multiple events which permanently alter the appearances of spatial and temporal reality. A discovery or stroke of luck stems from the interweaving of certain events into an emotional whole which may end up revealing its intimate meaning. \n\nTransformation and lived experience engender the shape of the final work. The completed creation shows a certain identifiable stamp, as can be reflected in the use of cohesive allegories in the representation of symbolic meanings. \n\nAll in all, we could assert that the definition of the documentary film genre is particularly characterised by the unique way in which the creative process is applied. <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n<\/div> <\/div>\n [\/vc_column_inner][vc_column_inner width=”1\/6″][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner width=”1\/6″][\/vc_column_inner][vc_column_inner width=”2\/3″][vc_custom_heading heading_style=”heading_style_11″ text=”PREMISE” font_container=”tag:h2|text_align:center|color:%23ffffff” use_theme_fonts=”yes” css=”.vc_custom_1631270004115{padding-top: 3% !important;padding-bottom: 3% !important;}”][vc_column_text]<\/p>\nWe aim to pursue the transformation of matter mainly by working with wood to build instruments in the luthier\u2019s workshop.<\/span> We want to emphasise the harmonic values of humans with nature. Human activity processing matter to transform it into vibration, vibrations inherent to the universe…\u00a0<\/span><\/p>\nThe word <\/span>matter<\/span><\/i> has, in its Greek and Latin origin, the meaning of wood, construction material, forest, jungle. The uniqueness of the word <\/span>luthier<\/span><\/i> is interesting; derived from <\/span>luth<\/span><\/i> (<\/span>lute<\/span><\/a>), the term really comes from the Arabic <\/span>al-`\u016bd<\/span><\/i> (lute), which means \u201cthe wood\u201d.<\/span><\/p>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/6″][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row full_width=”stretch_row_content” css=”.vc_custom_1614853107397{padding-bottom: 5% !important;background-color: #003153 !important;}” el_class=”go-ahead-7″][vc_column width=”5\/12″ css=”.vc_custom_1614852486021{background-image: url(https:\/\/www.movie-ments.cat\/coneixenca\/wp-content\/uploads\/2021\/03\/IMG_25212-1-scaled.jpg?id=3388) !important;background-position: center !important;background-repeat: no-repeat !important;background-size: cover !important;}”][vc_row_inner][vc_column_inner]
\n \n\t\n SYNOPSIS<\/div>\n A disciple learns, from the master luthier, the remarkable construction of some string instruments through observation and praxis. A journey in search of those chords capable of taking the human being out of itself.<\/div>\n <\/div>\n<\/div> <\/div>\n [\/vc_column_inner][\/vc_row_inner][\/vc_column][vc_column width=”7\/12″][vc_row_inner][vc_column_inner][vc_single_image image=”3654″ img_size=”large” alignment=”center”][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row full_width=”stretch_row” css=”.vc_custom_1614857307554{padding-bottom: 5% !important;background-color: #003153 !important;}” el_class=”go-ahead-7″ el_id=”trailer”][vc_column][vc_row_inner][vc_column_inner] \n \n \n \n \n \n \n <\/a>\n <\/div>\n \n TRAILER<\/a><\/h5>\n \n <\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n \n [\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row full_width=”stretch_row_content” css=”.vc_custom_1631529182716{padding-top: 3% !important;padding-bottom: 6% !important;background-color: #003153 !important;}” el_id=”quadern”][vc_column][vc_row_inner][vc_column_inner][vc_custom_heading heading_style=”heading_style_11″ text=”The Autotelic Notebook” font_container=”tag:h2|text_align:center|color:%23ffffff” use_theme_fonts=”yes” css=”.vc_custom_1631529237479{padding-top: 3% !important;padding-bottom: 3% !important;}”][vc_custom_heading heading_style=”sub_heading_style_2″ text=”Work in progress” font_container=”tag:h4|text_align:center|color:%23ffffff” use_theme_fonts=”yes” css=”.vc_custom_1631529307682{padding-bottom: 3% !important;}”][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner width=”1\/2″][vc_single_image image=”3656″ img_size=”large” alignment=”center”][\/vc_column_inner][vc_column_inner width=”1\/2″ css=”.vc_custom_1631265687700{padding-right: 30% !important;}”][vc_column_text]<\/p>\n
Premise<\/strong>\u00a0<\/span><\/p>\nThe most valuable certainty of our condition originates in contemplation.<\/span><\/p>\nThe film <\/span>Coneixen\u00e7a<\/span><\/i> (\u201cknowledge\u201d in Catalan) is contemplated with the creation of an online game, based on an interactive notebook called <\/span>El Quadern Autot\u00e8lic<\/span><\/i> (\u201cthe autotelic notebook\u201d). The notebook offers content through drawings, illustrations, texts, photographs, music and small video capsules. The user can participate by creating new pages with the incorporation of drawings, texts and photographs.<\/span>
\n<\/span>
\n<\/span>The plot reflects the construction of the creative process itself in formal terms, offering ideas and concepts mainly linked to nature, music and painting. The content is related to the five acts of the film <\/span>Coneixen\u00e7a:<\/span><\/i> search, discover, practice, relate and comprehend.\u00a0<\/span><\/p>\n[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row full_width=”stretch_row” css=”.vc_custom_1631024810767{padding-top: 8% !important;padding-bottom: 10% !important;background: #121212 url(https:\/\/www.movie-ments.cat\/coneixenca\/wp-content\/uploads\/2021\/09\/Faig2.jpg?id=3461) !important;background-position: center !important;background-repeat: no-repeat !important;background-size: cover !important;}” el_id=”credits”][vc_column][vc_row_inner][vc_column_inner][vc_custom_heading heading_style=”heading_style_11″ text=”Credits” font_container=”tag:h2|text_align:center” use_theme_fonts=”yes” css=”.vc_custom_1631270080581{padding-top: 3% !important;padding-bottom: 3% !important;}”][\/vc_column_inner][\/vc_row_inner][vc_row_inner css=”.vc_custom_1530603953052{padding-top: 8% !important;padding-bottom: 8% !important;}”][vc_column_inner]
\n \n\t\n\t\t\t \t interpreters<\/span>\n\t \t\t \t \n\t \t\t \t\tMARCO SALERNO, ANIOL PETIT, LAIA BOSCH\t \t\t\t \t<\/span>\n\t \t\t \t \t With the participation of<\/span>\n\t \t\t \t \n\t \t\t \t\tIRIS PETIT, GEN\u00cdS PETIT, GL\u00d2RIA CANTERO, JOSEP MARIA PETIT\t \t\t\t \t<\/span>\n\t \t\t \t \t Direction and writing<\/span>\n\t \t\t \t \n\t \t\t \t\tFRANCESC FONT\t \t\t\t \t<\/span>\n\t \t\t \t \t Production<\/span>\n\t \t\t \t \n\t \t\t \t\tMovie-ments\t \t\t\t \t<\/span>\n\t \t\t \t \t Original Music<\/span>\n\t \t\t \t \n\t \t\t \t\tMAGAM (Marta Vila i Vega Montero)\t \t\t\t \t<\/span>\n\t \t\t \t \t Musician performer<\/span>\n\t \t\t \t \n\t \t\t \t\tPACO VICIANA (Benedictus. Karl Jenkins)\t \t\t\t \t<\/span>\n\t \t\t \t \t Photography and camera<\/span>\n\t \t\t \t \n\t \t\t \t\tFRANCESC FONT\t\t \t\t\t \t<\/span>\n\t \t\t \t \t Postproduction<\/span>\n\t \t\t \t \n\t \t\t \t\tXAVIER P\u00c9REZ\t \t\t\t \t<\/span>\n\t \t\t \t \t Assembly and calibration<\/span>\n\t \t\t \t \n\t \t\t \t\tFRANCESC FONT\t \t\t\t \t<\/span>\n\t \t\t \t \t Voiceover off<\/span>\n\t \t\t \t \n\t \t\t \t\tANIOL PETIT\t \t\t\t \t<\/span>\n\t \t\t \t \t M\u00e0ster DCP<\/span>\n\t \t\t \t \n\t \t\t \t\tFROMZERO\t \t\t\t \t<\/span>\n\t \t\t \t \t Sound postproduction and mixes<\/span>\n\t \t\t \t \n\t \t\t \t\tLLU\u00cdS COSTA\t \t\t\t \t<\/span>\n\t \t\t \t \t Recording studio<\/span>\n\t \t\t \t \n\t \t\t \t\tSOUNDCLUB\t \t\t\t \t<\/span>\n\t \t\t \t \t graphic design poster<\/span>\n\t \t\t \t \n\t \t\t \t\tCAROLINA TR\u00c8BOL\t \t\t\t \t<\/span>\n\t \t\t \t \t TECHNICAL ADVICE<\/span>\n\t \t\t \t \n\t \t\t \t\tXAVIER P\u00c9REZ\t \t\t\t \t<\/span>\n\t \t\t \t \t Equipment coordination<\/span>\n\t \t\t \t \n\t \t\t \t\tERNEST FORTS \t \t\t\t \t<\/span>\n\t \t\t \t \t Slate sequence and Caravaggio Concept art:<\/span>\n\t \t\t \t \n\t \t\t \t\tJOSEP PLAJA, ADRIANA PUIGVERT - DRIN -\t \t\t\t \t<\/span>\n\t \t\t \t \t Assistant director<\/span>\n\t \t\t \t \n\t \t\t \t\tPAU RODR\u00cdGUEZ\t \t\t\t \t<\/span>\n\t \t\t \t \t Photography<\/span>\n\t \t\t \t \n\t \t\t \t\tDANIEL DE JOSE -DEJU-, MART\u00cd PLUMA \t \t\t\t \t<\/span>\n\t \t\t \t \t In collaboration with<\/span>\n\t \t\t \t \n\t \t\t \t\tEU ERAM - GRAU EN COMUNICACI\u00d3 AUDIOVISUAL I MULTIM\u00c8DIA\t \t\t\t \t<\/span>\n\t \t\t \t \t In collaboration with<\/span>\n\t \t\t \t \n\t \t\t \t\tRaffaele Pagani Fotografies\t \t\t\t \t<\/span>\n\t \t\t <\/div>\n<\/div> <\/div>\n [\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row full_width=”stretch_row” css=”.vc_custom_1614857321718{padding-top: 3% !important;padding-bottom: 3% !important;background-color: #003153 !important;}” el_id=”localitzacions”][vc_column][vc_row_inner][vc_column_inner][vc_custom_heading heading_style=”heading_style_11″ text=”Locations” font_container=”tag:h2|text_align:center” use_theme_fonts=”yes” css=”.vc_custom_1631270272348{padding-top: 3% !important;padding-bottom: 3% !important;}”][vc_column_text]<\/p>\nOne of this project\u2019s determining factors is the treatment of space. Certain workshop interiors are shown to emphasise space, regardless of the characters. To give space an independent role in the action, because a particular intimate time flows through space.<\/span><\/p>\nLocated in the northeast corner of Catalonia, we are home to one of the most important identifying elements of the territory, Alt Empord\u00e0, an area which stretches from the coastal landscape to the mountain, not to mention the urban landscape. This important identify-defining value of the county\u2019s landscape will frame the film\u2019s exterior scenes in a striking way.\u00a0<\/span><\/p>\nThe town of Ordis, home to the luthier’s workshop, lies nestled in a landscape which delves in through narrow paths until reaching the church, flanked by a luxurious cypress. A few barley sprigs are depicted on its shield, allusions to the town’s name and the centuries-old farming of its land.<\/span><\/p>\nThe learning sequence associated with the board unfolds inside the Chapel of Saint Lucy in Girona.\u00a0<\/span><\/p>\nThe different trees referenced are principally located in the landscape of the county of Pla de l\u2019Estany.\u00a0 The maple and willow in Banyoles, the boxwood in <\/span>Porqueres<\/span>, the cypress in Rav\u00f3s de Terri, the walnut tree in Vilamar\u00ed and the spruce in <\/span>Sant Miquel de Campmajor and the spruces of the town of Susqueda in Sant Mart\u00ed Sacalm.<\/span><\/p>\nAniol Petit\u2019s workshop is in the municipality of Sant Cebri\u00e0 de Vallalta, near the town of Sant Pol de Mar in the county of Maresme. A space located on the threshold of <\/span>
\n<\/span>Montnegre Corredor Natural Park with extensive formations of holly and cork oak groves.<\/span><\/p>\n[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row full_width=”stretch_row_content_no_spaces” css=”.vc_custom_1614853137681{padding-top: 3% !important;padding-bottom: 3% !important;background-color: #003153 !important;}”][vc_column][vc_row_inner][vc_column_inner] \n \n
\n \n \n \n \n \n \n - <\/i><\/a><\/li>\n <\/ul>\n <\/div>\n \n
\n Banyoles <\/h5>\n
\/ L\u2019aur\u00f3 i el salze<\/p>\n <\/div>\n <\/div>\n <\/div>\n
\n \n \n
\n 10.\u00a0The interweaving of events and the emergence of allegories to reveal the world.<\/a>\n <\/h4>\n <\/div>\n \n \n Life occurs in multiple events which permanently alter the appearances of spatial and temporal reality. A discovery or stroke of luck stems from the interweaving of certain events into an emotional whole which may end up revealing its intimate meaning. \n\nTransformation and lived experience engender the shape of the final work. The completed creation shows a certain identifiable stamp, as can be reflected in the use of cohesive allegories in the representation of symbolic meanings. \n\nAll in all, we could assert that the definition of the documentary film genre is particularly characterised by the unique way in which the creative process is applied. <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n<\/div> <\/div>\n [\/vc_column_inner][vc_column_inner width=”1\/6″][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner width=”1\/6″][\/vc_column_inner][vc_column_inner width=”2\/3″][vc_custom_heading heading_style=”heading_style_11″ text=”PREMISE” font_container=”tag:h2|text_align:center|color:%23ffffff” use_theme_fonts=”yes” css=”.vc_custom_1631270004115{padding-top: 3% !important;padding-bottom: 3% !important;}”][vc_column_text]<\/p>\nWe aim to pursue the transformation of matter mainly by working with wood to build instruments in the luthier\u2019s workshop.<\/span> We want to emphasise the harmonic values of humans with nature. Human activity processing matter to transform it into vibration, vibrations inherent to the universe…\u00a0<\/span><\/p>\nThe word <\/span>matter<\/span><\/i> has, in its Greek and Latin origin, the meaning of wood, construction material, forest, jungle. The uniqueness of the word <\/span>luthier<\/span><\/i> is interesting; derived from <\/span>luth<\/span><\/i> (<\/span>lute<\/span><\/a>), the term really comes from the Arabic <\/span>al-`\u016bd<\/span><\/i> (lute), which means \u201cthe wood\u201d.<\/span><\/p>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/6″][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row full_width=”stretch_row_content” css=”.vc_custom_1614853107397{padding-bottom: 5% !important;background-color: #003153 !important;}” el_class=”go-ahead-7″][vc_column width=”5\/12″ css=”.vc_custom_1614852486021{background-image: url(https:\/\/www.movie-ments.cat\/coneixenca\/wp-content\/uploads\/2021\/03\/IMG_25212-1-scaled.jpg?id=3388) !important;background-position: center !important;background-repeat: no-repeat !important;background-size: cover !important;}”][vc_row_inner][vc_column_inner]
\n \n\t\n SYNOPSIS<\/div>\n A disciple learns, from the master luthier, the remarkable construction of some string instruments through observation and praxis. A journey in search of those chords capable of taking the human being out of itself.<\/div>\n <\/div>\n<\/div> <\/div>\n [\/vc_column_inner][\/vc_row_inner][\/vc_column][vc_column width=”7\/12″][vc_row_inner][vc_column_inner][vc_single_image image=”3654″ img_size=”large” alignment=”center”][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row full_width=”stretch_row” css=”.vc_custom_1614857307554{padding-bottom: 5% !important;background-color: #003153 !important;}” el_class=”go-ahead-7″ el_id=”trailer”][vc_column][vc_row_inner][vc_column_inner] \n \n \n \n \n \n \n <\/a>\n <\/div>\n \n TRAILER<\/a><\/h5>\n \n <\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n \n [\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row full_width=”stretch_row_content” css=”.vc_custom_1631529182716{padding-top: 3% !important;padding-bottom: 6% !important;background-color: #003153 !important;}” el_id=”quadern”][vc_column][vc_row_inner][vc_column_inner][vc_custom_heading heading_style=”heading_style_11″ text=”The Autotelic Notebook” font_container=”tag:h2|text_align:center|color:%23ffffff” use_theme_fonts=”yes” css=”.vc_custom_1631529237479{padding-top: 3% !important;padding-bottom: 3% !important;}”][vc_custom_heading heading_style=”sub_heading_style_2″ text=”Work in progress” font_container=”tag:h4|text_align:center|color:%23ffffff” use_theme_fonts=”yes” css=”.vc_custom_1631529307682{padding-bottom: 3% !important;}”][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner width=”1\/2″][vc_single_image image=”3656″ img_size=”large” alignment=”center”][\/vc_column_inner][vc_column_inner width=”1\/2″ css=”.vc_custom_1631265687700{padding-right: 30% !important;}”][vc_column_text]<\/p>\n
Premise<\/strong>\u00a0<\/span><\/p>\nThe most valuable certainty of our condition originates in contemplation.<\/span><\/p>\nThe film <\/span>Coneixen\u00e7a<\/span><\/i> (\u201cknowledge\u201d in Catalan) is contemplated with the creation of an online game, based on an interactive notebook called <\/span>El Quadern Autot\u00e8lic<\/span><\/i> (\u201cthe autotelic notebook\u201d). The notebook offers content through drawings, illustrations, texts, photographs, music and small video capsules. The user can participate by creating new pages with the incorporation of drawings, texts and photographs.<\/span>
\n<\/span>
\n<\/span>The plot reflects the construction of the creative process itself in formal terms, offering ideas and concepts mainly linked to nature, music and painting. The content is related to the five acts of the film <\/span>Coneixen\u00e7a:<\/span><\/i> search, discover, practice, relate and comprehend.\u00a0<\/span><\/p>\n[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row full_width=”stretch_row” css=”.vc_custom_1631024810767{padding-top: 8% !important;padding-bottom: 10% !important;background: #121212 url(https:\/\/www.movie-ments.cat\/coneixenca\/wp-content\/uploads\/2021\/09\/Faig2.jpg?id=3461) !important;background-position: center !important;background-repeat: no-repeat !important;background-size: cover !important;}” el_id=”credits”][vc_column][vc_row_inner][vc_column_inner][vc_custom_heading heading_style=”heading_style_11″ text=”Credits” font_container=”tag:h2|text_align:center” use_theme_fonts=”yes” css=”.vc_custom_1631270080581{padding-top: 3% !important;padding-bottom: 3% !important;}”][\/vc_column_inner][\/vc_row_inner][vc_row_inner css=”.vc_custom_1530603953052{padding-top: 8% !important;padding-bottom: 8% !important;}”][vc_column_inner]
\n \n\t\n\t\t\t \t interpreters<\/span>\n\t \t\t \t \n\t \t\t \t\tMARCO SALERNO, ANIOL PETIT, LAIA BOSCH\t \t\t\t \t<\/span>\n\t \t\t \t \t With the participation of<\/span>\n\t \t\t \t \n\t \t\t \t\tIRIS PETIT, GEN\u00cdS PETIT, GL\u00d2RIA CANTERO, JOSEP MARIA PETIT\t \t\t\t \t<\/span>\n\t \t\t \t \t Direction and writing<\/span>\n\t \t\t \t \n\t \t\t \t\tFRANCESC FONT\t \t\t\t \t<\/span>\n\t \t\t \t \t Production<\/span>\n\t \t\t \t \n\t \t\t \t\tMovie-ments\t \t\t\t \t<\/span>\n\t \t\t \t \t Original Music<\/span>\n\t \t\t \t \n\t \t\t \t\tMAGAM (Marta Vila i Vega Montero)\t \t\t\t \t<\/span>\n\t \t\t \t \t Musician performer<\/span>\n\t \t\t \t \n\t \t\t \t\tPACO VICIANA (Benedictus. Karl Jenkins)\t \t\t\t \t<\/span>\n\t \t\t \t \t Photography and camera<\/span>\n\t \t\t \t \n\t \t\t \t\tFRANCESC FONT\t\t \t\t\t \t<\/span>\n\t \t\t \t \t Postproduction<\/span>\n\t \t\t \t \n\t \t\t \t\tXAVIER P\u00c9REZ\t \t\t\t \t<\/span>\n\t \t\t \t \t Assembly and calibration<\/span>\n\t \t\t \t \n\t \t\t \t\tFRANCESC FONT\t \t\t\t \t<\/span>\n\t \t\t \t \t Voiceover off<\/span>\n\t \t\t \t \n\t \t\t \t\tANIOL PETIT\t \t\t\t \t<\/span>\n\t \t\t \t \t M\u00e0ster DCP<\/span>\n\t \t\t \t \n\t \t\t \t\tFROMZERO\t \t\t\t \t<\/span>\n\t \t\t \t \t Sound postproduction and mixes<\/span>\n\t \t\t \t \n\t \t\t \t\tLLU\u00cdS COSTA\t \t\t\t \t<\/span>\n\t \t\t \t \t Recording studio<\/span>\n\t \t\t \t \n\t \t\t \t\tSOUNDCLUB\t \t\t\t \t<\/span>\n\t \t\t \t \t graphic design poster<\/span>\n\t \t\t \t \n\t \t\t \t\tCAROLINA TR\u00c8BOL\t \t\t\t \t<\/span>\n\t \t\t \t \t TECHNICAL ADVICE<\/span>\n\t \t\t \t \n\t \t\t \t\tXAVIER P\u00c9REZ\t \t\t\t \t<\/span>\n\t \t\t \t \t Equipment coordination<\/span>\n\t \t\t \t \n\t \t\t \t\tERNEST FORTS \t \t\t\t \t<\/span>\n\t \t\t \t \t Slate sequence and Caravaggio Concept art:<\/span>\n\t \t\t \t \n\t \t\t \t\tJOSEP PLAJA, ADRIANA PUIGVERT - DRIN -\t \t\t\t \t<\/span>\n\t \t\t \t \t Assistant director<\/span>\n\t \t\t \t \n\t \t\t \t\tPAU RODR\u00cdGUEZ\t \t\t\t \t<\/span>\n\t \t\t \t \t Photography<\/span>\n\t \t\t \t \n\t \t\t \t\tDANIEL DE JOSE -DEJU-, MART\u00cd PLUMA \t \t\t\t \t<\/span>\n\t \t\t \t \t In collaboration with<\/span>\n\t \t\t \t \n\t \t\t \t\tEU ERAM - GRAU EN COMUNICACI\u00d3 AUDIOVISUAL I MULTIM\u00c8DIA\t \t\t\t \t<\/span>\n\t \t\t \t \t In collaboration with<\/span>\n\t \t\t \t \n\t \t\t \t\tRaffaele Pagani Fotografies\t \t\t\t \t<\/span>\n\t \t\t <\/div>\n<\/div> <\/div>\n [\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row full_width=”stretch_row” css=”.vc_custom_1614857321718{padding-top: 3% !important;padding-bottom: 3% !important;background-color: #003153 !important;}” el_id=”localitzacions”][vc_column][vc_row_inner][vc_column_inner][vc_custom_heading heading_style=”heading_style_11″ text=”Locations” font_container=”tag:h2|text_align:center” use_theme_fonts=”yes” css=”.vc_custom_1631270272348{padding-top: 3% !important;padding-bottom: 3% !important;}”][vc_column_text]<\/p>\nOne of this project\u2019s determining factors is the treatment of space. Certain workshop interiors are shown to emphasise space, regardless of the characters. To give space an independent role in the action, because a particular intimate time flows through space.<\/span><\/p>\nLocated in the northeast corner of Catalonia, we are home to one of the most important identifying elements of the territory, Alt Empord\u00e0, an area which stretches from the coastal landscape to the mountain, not to mention the urban landscape. This important identify-defining value of the county\u2019s landscape will frame the film\u2019s exterior scenes in a striking way.\u00a0<\/span><\/p>\nThe town of Ordis, home to the luthier’s workshop, lies nestled in a landscape which delves in through narrow paths until reaching the church, flanked by a luxurious cypress. A few barley sprigs are depicted on its shield, allusions to the town’s name and the centuries-old farming of its land.<\/span><\/p>\nThe learning sequence associated with the board unfolds inside the Chapel of Saint Lucy in Girona.\u00a0<\/span><\/p>\nThe different trees referenced are principally located in the landscape of the county of Pla de l\u2019Estany.\u00a0 The maple and willow in Banyoles, the boxwood in <\/span>Porqueres<\/span>, the cypress in Rav\u00f3s de Terri, the walnut tree in Vilamar\u00ed and the spruce in <\/span>Sant Miquel de Campmajor and the spruces of the town of Susqueda in Sant Mart\u00ed Sacalm.<\/span><\/p>\nAniol Petit\u2019s workshop is in the municipality of Sant Cebri\u00e0 de Vallalta, near the town of Sant Pol de Mar in the county of Maresme. A space located on the threshold of <\/span>
\n<\/span>Montnegre Corredor Natural Park with extensive formations of holly and cork oak groves.<\/span><\/p>\n[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row full_width=”stretch_row_content_no_spaces” css=”.vc_custom_1614853137681{padding-top: 3% !important;padding-bottom: 3% !important;background-color: #003153 !important;}”][vc_column][vc_row_inner][vc_column_inner] \n \n
\n \n \n \n \n \n \n - <\/i><\/a><\/li>\n <\/ul>\n <\/div>\n \n
\n Banyoles <\/h5>\n
\/ L\u2019aur\u00f3 i el salze<\/p>\n <\/div>\n <\/div>\n <\/div>\n
\n \n \n
We aim to pursue the transformation of matter mainly by working with wood to build instruments in the luthier\u2019s workshop.<\/span> We want to emphasise the harmonic values of humans with nature. Human activity processing matter to transform it into vibration, vibrations inherent to the universe…\u00a0<\/span><\/p>\n The word <\/span>matter<\/span><\/i> has, in its Greek and Latin origin, the meaning of wood, construction material, forest, jungle. The uniqueness of the word <\/span>luthier<\/span><\/i> is interesting; derived from <\/span>luth<\/span><\/i> (<\/span>lute<\/span><\/a>), the term really comes from the Arabic <\/span>al-`\u016bd<\/span><\/i> (lute), which means \u201cthe wood\u201d.<\/span><\/p>\n [\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/6″][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row full_width=”stretch_row_content” css=”.vc_custom_1614853107397{padding-bottom: 5% !important;background-color: #003153 !important;}” el_class=”go-ahead-7″][vc_column width=”5\/12″ css=”.vc_custom_1614852486021{background-image: url(https:\/\/www.movie-ments.cat\/coneixenca\/wp-content\/uploads\/2021\/03\/IMG_25212-1-scaled.jpg?id=3388) !important;background-position: center !important;background-repeat: no-repeat !important;background-size: cover !important;}”][vc_row_inner][vc_column_inner] \n <\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n \n [\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row full_width=”stretch_row_content” css=”.vc_custom_1631529182716{padding-top: 3% !important;padding-bottom: 6% !important;background-color: #003153 !important;}” el_id=”quadern”][vc_column][vc_row_inner][vc_column_inner][vc_custom_heading heading_style=”heading_style_11″ text=”The Autotelic Notebook” font_container=”tag:h2|text_align:center|color:%23ffffff” use_theme_fonts=”yes” css=”.vc_custom_1631529237479{padding-top: 3% !important;padding-bottom: 3% !important;}”][vc_custom_heading heading_style=”sub_heading_style_2″ text=”Work in progress” font_container=”tag:h4|text_align:center|color:%23ffffff” use_theme_fonts=”yes” css=”.vc_custom_1631529307682{padding-bottom: 3% !important;}”][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner width=”1\/2″][vc_single_image image=”3656″ img_size=”large” alignment=”center”][\/vc_column_inner][vc_column_inner width=”1\/2″ css=”.vc_custom_1631265687700{padding-right: 30% !important;}”][vc_column_text]<\/p>\n Premise<\/strong>\u00a0<\/span><\/p>\n The most valuable certainty of our condition originates in contemplation.<\/span><\/p>\n The film <\/span>Coneixen\u00e7a<\/span><\/i> (\u201cknowledge\u201d in Catalan) is contemplated with the creation of an online game, based on an interactive notebook called <\/span>El Quadern Autot\u00e8lic<\/span><\/i> (\u201cthe autotelic notebook\u201d). The notebook offers content through drawings, illustrations, texts, photographs, music and small video capsules. The user can participate by creating new pages with the incorporation of drawings, texts and photographs.<\/span> [\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row full_width=”stretch_row” css=”.vc_custom_1631024810767{padding-top: 8% !important;padding-bottom: 10% !important;background: #121212 url(https:\/\/www.movie-ments.cat\/coneixenca\/wp-content\/uploads\/2021\/09\/Faig2.jpg?id=3461) !important;background-position: center !important;background-repeat: no-repeat !important;background-size: cover !important;}” el_id=”credits”][vc_column][vc_row_inner][vc_column_inner][vc_custom_heading heading_style=”heading_style_11″ text=”Credits” font_container=”tag:h2|text_align:center” use_theme_fonts=”yes” css=”.vc_custom_1631270080581{padding-top: 3% !important;padding-bottom: 3% !important;}”][\/vc_column_inner][\/vc_row_inner][vc_row_inner css=”.vc_custom_1530603953052{padding-top: 8% !important;padding-bottom: 8% !important;}”][vc_column_inner] One of this project\u2019s determining factors is the treatment of space. Certain workshop interiors are shown to emphasise space, regardless of the characters. To give space an independent role in the action, because a particular intimate time flows through space.<\/span><\/p>\n Located in the northeast corner of Catalonia, we are home to one of the most important identifying elements of the territory, Alt Empord\u00e0, an area which stretches from the coastal landscape to the mountain, not to mention the urban landscape. This important identify-defining value of the county\u2019s landscape will frame the film\u2019s exterior scenes in a striking way.\u00a0<\/span><\/p>\n The town of Ordis, home to the luthier’s workshop, lies nestled in a landscape which delves in through narrow paths until reaching the church, flanked by a luxurious cypress. A few barley sprigs are depicted on its shield, allusions to the town’s name and the centuries-old farming of its land.<\/span><\/p>\n The learning sequence associated with the board unfolds inside the Chapel of Saint Lucy in Girona.\u00a0<\/span><\/p>\n The different trees referenced are principally located in the landscape of the county of Pla de l\u2019Estany.\u00a0 The maple and willow in Banyoles, the boxwood in <\/span>Porqueres<\/span>, the cypress in Rav\u00f3s de Terri, the walnut tree in Vilamar\u00ed and the spruce in <\/span>Sant Miquel de Campmajor and the spruces of the town of Susqueda in Sant Mart\u00ed Sacalm.<\/span><\/p>\n Aniol Petit\u2019s workshop is in the municipality of Sant Cebri\u00e0 de Vallalta, near the town of Sant Pol de Mar in the county of Maresme. A space located on the threshold of <\/span> [\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row full_width=”stretch_row_content_no_spaces” css=”.vc_custom_1614853137681{padding-top: 3% !important;padding-bottom: 3% !important;background-color: #003153 !important;}”][vc_column][vc_row_inner][vc_column_inner] \n \n \/ L\u2019aur\u00f3 i el salze<\/p>\n <\/div>\n <\/div>\n <\/div>\n TRAILER<\/a><\/h5>\n
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\n<\/span>The plot reflects the construction of the creative process itself in formal terms, offering ideas and concepts mainly linked to nature, music and painting. The content is related to the five acts of the film <\/span>Coneixen\u00e7a:<\/span><\/i> search, discover, practice, relate and comprehend.\u00a0<\/span><\/p>\n
\n<\/span>Montnegre Corredor Natural Park with extensive formations of holly and cork oak groves.<\/span><\/p>\n \n
\n Banyoles <\/h5>\n
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